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    <loc>https://www.thewavmax.com/blog</loc>
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    <lastmod>2024-05-23</lastmod>
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      <image:title>Wav.Max - Official Youtube Channel</image:title>
      <image:caption>We edit &amp; share visuals for songs from a variety artists covered here on the site (many more too). If you’re a Hip-Hop and/or Anime fan, you’ll love the channel. Subscribe for visualizer uploads each week!</image:caption>
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    <loc>https://www.thewavmax.com/blog/callmevince-shares-the-origin-of-his-stage-name-future-plans-ideal-pokmon-team</loc>
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    <lastmod>2022-12-20</lastmod>
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      <image:title>Wav.Max - callmevince Shares His Name Origin, Future Plans &amp;amp; Ideal Pokémon Team - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:title>Wav.Max - callmevince Shares His Name Origin, Future Plans &amp;amp; Ideal Pokémon Team - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Wav.Max - callmevince Shares His Name Origin, Future Plans &amp;amp; Ideal Pokémon Team</image:title>
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    <loc>https://www.thewavmax.com/blog/pokey-lights-july</loc>
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    <lastmod>2022-11-21</lastmod>
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      <image:title>Wav.Max - Pokey Lights - July</image:title>
    </image:image>
    <image:image>
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      <image:title>Wav.Max - Pokey Lights - July</image:title>
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    <loc>https://www.thewavmax.com/blog/syeko-talks-about-his-sound-gives-honest-advice-shares-his-future-goals</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2022-12-20</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/fdbc9e44-c5dd-43c5-8c17-0b9a104f06be/SYEKOInterview.jpg</image:loc>
      <image:title>Wav.Max - SYEKO Talks About His Sound, Gives Honest Advice &amp;amp; Shares His Future Goals - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/2ad7af73-a1f1-4572-9314-1ced840e0105/D5E31A98-2763-4887-8947-09BCFEE41C82.jpg</image:loc>
      <image:title>Wav.Max - SYEKO Talks About His Sound, Gives Honest Advice &amp;amp; Shares His Future Goals - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Wav.Max - SYEKO Talks About His Sound, Gives Honest Advice &amp;amp; Shares His Future Goals</image:title>
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    <loc>https://www.thewavmax.com/blog/the-revolution-the-artist-muneer</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-11-02</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/f7c89b4f-5114-4fbb-9f7d-2eec0f42ad93/MuneerTheRevolutionReview.jpg</image:loc>
      <image:title>Wav.Max - The Revolution! - The Artist Muneer</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/5afb6658-82f1-46d1-a8ec-ac856c9e16ef/IMG_0226+%281%29.jpg</image:loc>
      <image:title>Wav.Max - The Revolution! - The Artist Muneer - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Wav.Max - The Revolution! - The Artist Muneer</image:title>
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    <loc>https://www.thewavmax.com/blog/harlem-night-henry-coffin</loc>
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    <lastmod>2022-10-28</lastmod>
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      <image:title>Wav.Max - Harlem Night - Henry Coffin</image:title>
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      <image:title>Wav.Max - Harlem Night - Henry Coffin</image:title>
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    <loc>https://www.thewavmax.com/blog/summertime-vibes-fitztwinz</loc>
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    <lastmod>2022-10-15</lastmod>
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      <image:title>Wav.Max - Summertime Vibes - FITZTWINZ</image:title>
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      <image:title>Wav.Max - Summertime Vibes - FITZTWINZ</image:title>
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  <url>
    <loc>https://www.thewavmax.com/blog/top-5-albums-of-2022-so-far</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-06-09</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/d69fd8cb-de6c-4bf9-b6f6-6c378f8a6c3b/Top5Albums2022SoFar.jpg</image:loc>
      <image:title>Wav.Max - Top 5 Albums of 2022 (So Far)</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/579bc2ab-425f-4df0-a444-ca80e3b9d0f4/benny-the-butcher-tana-talk-4-Cover-Art.jpeg</image:loc>
      <image:title>Wav.Max - Top 5 Albums of 2022 (So Far) - 5. Tana Talk 4 - Benny The Butcher</image:title>
      <image:caption>A top albums list wouldn’t be complete without any mention of Griselda or its members. While Conway The Machine was a close contender for the #5 spot, I thoroughly enjoy Tana Talk 4 from start to finish. Benny provides exactly what fans want + more. Between the immaculate production &amp; intense rapping, it can be easily argued as being one of the best projects this year. With how much he &amp; his peers release, I wouldn’t be surprised if he drops another album this year that surpasses Tana Talk 4. Favorite Song: Back 2x (ft. Stove God Cooks)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/ca364f93-f8de-42be-9ef7-bc105bae27f8/M.I.A.-Lyrics-Ravyn-Lenae.png</image:loc>
      <image:title>Wav.Max - Top 5 Albums of 2022 (So Far) - 4. HYPNOS - Ravyn Lenae</image:title>
      <image:caption>Ravyn Lenae is one of my favorite younger R&amp;B acts &amp; has been for a few years. She takes her style to a whole new level on HYPNOS &amp; provides fans with the best R&amp;B album this year so far. There’s a lot of competition in that argument, but Ravyn’s new album is complete &amp; contains no skips. Her voice elegantly glides over all the smooth sounds &amp; instrumentation. I also love how she remains versatile. She tries new ideas while remaining true to her core sound. Favorite Song: M.I.A.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/37c26b6b-10a1-4b45-a8ff-0c73f7d9053a/vince-staples-ramona-park-broke-my-heart-cover.jpeg</image:loc>
      <image:title>Wav.Max - Top 5 Albums of 2022 (So Far) - 3. RAMONA PARK BROKE MY HEART - Vince Staples</image:title>
      <image:caption>Vince Staples is currently on an insane run with his recent output. This follow-up to his self-titled album that was released last year, and it feels like an extension of the previous one. Vince shows improvement with his songwriting &amp; technical ability over laidback production. This album also features more West Coast elements in addition to features from Lil Baby &amp; Ty Dolla $ign. Overall, this is an album that fits multiple settings &amp; is consistent from start to finish. Favorite Songs: DJ Quik, Mama’s Boy &amp; Lemonade</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/383f2022-fe68-4297-9de5-f026c69425b2/img_5663.jpeg</image:loc>
      <image:title>Wav.Max - Top 5 Albums of 2022 (So Far) - 2. Melt My Eyez See Your Future - Denzel Curry</image:title>
      <image:caption>If you’ve ever doubted Denzel Curry’s rapping ability, Melt My Eyez See Your Future will prove you wrong. This can be argued as his best overall album but is confidently the best showcase of his technical ability. In addition, we see Denzel be both equally introspective &amp; motivational. It’s a special album from the Florida heavyweight act. I didn’t see any 2022 album topping this chill masterpiece until my final pick below. Favorite Songs: Melt Session #1, John Wayne &amp; Walkin</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/496ec1fd-d994-402d-8a45-e4d006491d76/Mr-Morale-1652298318.jpeg</image:loc>
      <image:title>Wav.Max - Top 5 Albums of 2022 (So Far) - 1. Mr. Morale &amp; The Big Steppers - Kendrick Lamar</image:title>
      <image:caption>This choice shouldn’t come as a surprise to anyone familiar with our platform. Kendrick Lamar released his deepest project so far with its intense vulnerability &amp; personal reflections. He manages to speak in-depth on several relevant &amp; taboo topics, while still keeping it from being preachy or inauthentic. He uses his lyrics &amp; stellar production selection to take the listeners into his mind. It’s slowly becoming solidified as my favorite album in the Compton artist’s discography.</image:caption>
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    <loc>https://www.thewavmax.com/blog/ichiban-teyo</loc>
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    <lastmod>2022-10-09</lastmod>
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      <image:title>Wav.Max - ICHIBAN - TEYO!</image:title>
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      <image:title>Wav.Max - ICHIBAN - TEYO!</image:title>
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    <loc>https://www.thewavmax.com/blog/semifinals-duckie-mr-poetry</loc>
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    <lastmod>2022-05-23</lastmod>
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      <image:title>Wav.Max - Semifinals - Duckie Mr Poetry</image:title>
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      <image:title>Wav.Max - Semifinals - Duckie Mr Poetry</image:title>
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  <url>
    <loc>https://www.thewavmax.com/blog/top-5-songs-from-kendrick-lamars-mr-morale-the-big-steppers</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-05-19</lastmod>
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      <image:title>Wav.Max - Top 5 Songs From Kendrick Lamar’s “Mr. Morale &amp;amp; The Big Steppers”</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/271c69ee-4611-47f5-a4ff-86a439349430/Everything-You-Can-Expect-From-Kendrick-Lamar-New-Album-Mr.-Morale-The-Big-Steppers.jpg</image:loc>
      <image:title>Wav.Max - Top 5 Songs From Kendrick Lamar’s “Mr. Morale &amp;amp; The Big Steppers” - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://www.thewavmax.com/blog/come-home-the-kids-miss-you-jack-harlow</loc>
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    <priority>0.5</priority>
    <lastmod>2022-05-12</lastmod>
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      <image:title>Wav.Max - Come Home The Kids Miss You - Jack Harlow</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/604fa9bd-a664-4d77-ba01-2318d604eea1/Jack-Harlow-Tour-Press-Photo-scaled-copy.jpg</image:loc>
      <image:title>Wav.Max - Come Home The Kids Miss You - Jack Harlow - Strengths:</image:title>
      <image:caption>The first thing many people will notice is Jack’s signature smooth/laidback flow &amp; delivery. He sounds nonchalant while finding very catchy pockets for his lyrics. In a way, elements of his style remind me of some of Drake’s work (Ex: his flow on “Dua Lipa”). It does work well in his favor at its best. There were moments on some songs where he got melodic &amp; sounded decent (Ex: I Got A Shot &amp; Like A Blade Of Grass). He gives some insight into where he’s at in life now that he’s successful, rich &amp; famous. Most notably his lyrics are mostly focused on relationships, sex &amp; women. Amid the glamour, Jack does miss time/moments with his loved ones back home. He occasionally comes up with clever lines, but even some of the cheesier moments add humor. Songs like “Little Secret” showcase his storytelling ability as well. The beats on this album vary in different styles of Pop rap but still carry the same chill vibey aesthetics of his vocal style (Ex: State Fair &amp; Young Harleezy). Most have bouncy 808s &amp; rattling hi-hats over a smooth melody/sample. I appreciate the numerous amount of beat switches across the tracklist as well. Feature-wise, all four guests body their contributions. Both Lil Wayne &amp; Drake sound like vintage versions of themselves.</image:caption>
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      <image:title>Wav.Max - Come Home The Kids Miss You - Jack Harlow - Weaknesses:</image:title>
      <image:caption>There are some clear negatives about Jack’s new album. There are still moments where he raps some bad/cringe lines or just keeps it dumbed down for a wider audience. And while I do like his chill voice, it rarely varies on the album &amp; can make certain songs back background music. All his features do great, but they all outshine him (except Pharrell). Drake especially out raps Jack &amp; truly showcases the skill gap between the two. Thematically, his content about sex &amp; women gets old, repetitive &amp; even cheesy at times. I wish there was more we could’ve learned about his persona deeper than the surface level (this is very subjective though). I don’t really have an issue with the production like many other fans &amp; critics by the way, but there were still some that were generic or didn’t stick out.</image:caption>
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    <loc>https://www.thewavmax.com/blog/top-5-best-drake-future-collaborations</loc>
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    <priority>0.5</priority>
    <lastmod>2022-05-19</lastmod>
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      <image:title>Wav.Max - Top 5 Best Drake &amp;amp; Future Collaborations</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/b27256cb-0707-4bd3-8d06-a22b039b23b8/Future-and-Drake-june-2015-a-billboard-1548.jpeg</image:loc>
      <image:title>Wav.Max - Top 5 Best Drake &amp;amp; Future Collaborations - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://www.thewavmax.com/blog/is-future-really-the-best-rapper-alive</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-05-03</lastmod>
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      <image:title>Wav.Max - Is Future Really The Best Rapper Alive?</image:title>
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      <image:title>Wav.Max - Is Future Really The Best Rapper Alive? - Highly Influential</image:title>
      <image:caption>There are too many artists that could be named as direct disciples of Future. He’s up there with Lil Wayne, Chief Keef &amp; Young as being the most influential rappers of the 2010s decade. While artists like T-Pain &amp; Kanye West introduced autotune to the genre on a massive scale, Future’s use of it is what we hear many other artists imitate in 2022 (Lil Baby, Lil Durk, etc.). Additionally, his work with veteran producer Metro Boomin heightened psychedelic drugged-out synths/sounds in Trap that revolutionized the genre.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/c7a8b90a-ebda-40cd-ae85-7a2315cec84f/future-the-wizrd.jpg</image:loc>
      <image:title>Wav.Max - Is Future Really The Best Rapper Alive? - Classic Album &amp; Hit Records</image:title>
      <image:caption>Another element any GOAT should have is timeless discography. Future is one of few artists that’s been able to have a long-lasting career full of classics (despite not being the most substance-filled lyricist). Many would say his best work dropped during his peak in 2014-2015. The mixtape run of Monster, Beast Mode &amp; 56 Nights is seen as legendary among Hip-Hop fans. He even followed that up with his classic DS2 album &amp; memorable collab tape with Drake. In addition to these classic projects, Future has TONS of hit records (Life Is Good, March Madness, etc.) &amp; runs numbers up on all platforms.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/b6baa6f0-086d-4229-b8dd-d6dc477cbdf4/future1.jpg</image:loc>
      <image:title>Wav.Max - Is Future Really The Best Rapper Alive? - His Versatility &amp; Experimentation</image:title>
      <image:caption>Last, one thing anyone can appreciate about Future is his willingness to experiment with his vocals &amp; try new things on occasion. Granted, he’s still not the most versatile artist at all. It’s not like he really has to be either though as his signature sound works well for him &amp; we don’t ask for much else from Future. He can always deliver either a hard trap anthem, a Pop smash it, or an emotionally melodic ballad. Still, we get moments like his feature on TDE’s Kings Dead single where he reaches the highest falsetto we’ve ever heard from him. There’s also his recent feature on Rick Ross’ last album where his auto-tuned vocals don’t sound forced over the laidback traditional beat.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/ye-vs-pharrell-the-battle-on-its-almost-dry-by-pusha-t</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/501fc098-7082-43c0-aad7-e4e7c9b33d3f/ItsAlmostDryPushaTYePharerell.jpg</image:loc>
      <image:title>Wav.Max - Ye vs. Pharrell? The Battle On “It’s Almost Dry” By Pusha T</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/5fbe0254-9d97-493c-88e9-26a1027be7c8/pusha-t-kanye-west-diet-coke.jpg</image:loc>
      <image:title>Wav.Max - Ye vs. Pharrell? The Battle On “It’s Almost Dry” By Pusha T - Kanye’s Case</image:title>
      <image:caption>Although both producers utilize samples, Kanye still just has a beautiful way of manipulating them. He chooses eclectic ones that complete the cocaine &amp; drug dealing aesthetic of Pusha T’s subject matter. Songs like Just So You Remember &amp; Hear Me Clearly serve as the setting for Pusha’s harsh reality &amp; cold lyrics (especially with the percussion featured on both beats). Other producers that assisted on Kanye’s portion include Labrinth, 88-Keys, BoogzDaBeast &amp; more. Fans of Daytona will love to hear that Kanye’s contributions carry more of that project’s style/vibe than Pharrell’s. It seems as though Pusha bars out more on the Ye tracks (Ex: Diet Coke &amp; Dreamin Of The Past). However, one of the main elements of It’s Almost Dry is its artistically minimal/stripped back (at times). And with that in mind, I think Pharrell is able to do more with less.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/5a2fc927-bc88-4994-bb2a-abdffcb68b62/artworks-jA6Di0DGk4H0GVUY-KDizBw-t500x500.jpeg</image:loc>
      <image:title>Wav.Max - Ye vs. Pharrell? The Battle On “It’s Almost Dry” By Pusha T - Pharrell’s Case</image:title>
      <image:caption>Pharrell delivers extremely infectious production that’s both bouncy &amp; slightly club-friendly. Songs like Neck &amp; Wrist are both eerie &amp; luxurious, and additionally are more accessible than some of Ye’s beats. I also think Pharrell’s beats stand out more due to either usually being harder or more abrasive too; which lets Push rap with more viciousness &amp; aggression (Ex: Let The Smokers Shine The Coupes). Again, the album takes a minimal/stripped-back approach to its haunting production overall. Pharrell accomplishes this goal better than Ye because I’d say a majority of his contribution feels more complete and/or fun. And last, I appreciate how Push tries new things on Pharrell’s beats &amp; is more focused on the song itself &gt; the numerous bars.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/suite-efx-toy-taha</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-05-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/29db2c9b-9c93-4dd2-8f0e-1847626d2917/SuiteEFXToyTaha.jpg</image:loc>
      <image:title>Wav.Max - Suite EFX - Toy Taha</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/277e32b4-3776-4e49-ba88-47c26a9e47a7/unnamedjhi.jpg</image:loc>
      <image:title>Wav.Max - Suite EFX - Toy Taha</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/wavmax-presents-420-earth-clouds</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/e1377b0f-0936-42f6-98fa-20ecc6da81fc/EarthCloudsPlaylist.jpg</image:loc>
      <image:title>Wav.Max - Wav.Max Presents: 420 Earth Clouds</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/vince-staples-is-in-his-prime-right-now</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/aa452638-f6af-4a26-80f9-6fb8652a07e2/RamonaParkBrokeMyHeartVinceStaplesInterview.jpg</image:loc>
      <image:title>Wav.Max - Vince Staples Is In His Prime Right Now</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/cd76961f-9844-4858-b478-2a9d52a0ebec/channels4_profile.jpeg</image:loc>
      <image:title>Wav.Max - Vince Staples Is In His Prime Right Now - Understanding His Sound/Style</image:title>
      <image:caption>I say he’s entered his prime because it sounds like he now perfectly understands his voice &amp; what he sounds best over. Both of his last 2 albums feature very laidback &amp; chill sample-based instrumentals with numerous influences. His versatility as an artist is still in top shape as he can glide over more traditional Cali beats, serve melodies/catchy choruses, or deliver hard lyrics. He truly doesn’t get enough credit for that trait. Kenny Beats deserves a mention here as the two combine for a match made in heaven. We’ve seen Vince Staples make some of the best music of his career when working alongside the well-respected producer. The light &amp; relaxing soundscape he chooses to surround his dark lyrics/subject matter with makes for a beautiful contrast every single time. Yet, he’s also capable of adapting that same sound into some for the more casual/accessible playlist audience:</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/8043e482-a8e8-4e94-b08f-a34acb09736c/newFile-8.jpg</image:loc>
      <image:title>Wav.Max - Vince Staples Is In His Prime Right Now - His Concepts &amp; Songwriting</image:title>
      <image:caption>Additionally, Vince Staples improved his abilities as a rapper &amp; showcases tons of impressive verses in his newer music. It’s not like Vince was never a lyricist at all or wasn’t capable of crafting entendres, but I feel as though many don’t give him enough credit for his pen game. I think this is more apparent on his self album, but it’s honestly pretty even overall. One of my favorite Vince bars is: “But "Lil Wayne Carter" what I call my .38” ”Kiss your baby in the face if you play with where I stay” ~ LAW OF AVERAGES by Vince Staples It’s incredible to see how introspective &amp; observant Vince Staples is creatively with his songwriting. He’s able to paint the perfect picture of his thoughts/mindset &amp; the things going on in the environment around him. Or he can get reflective &amp; open up about his past/upbringing. He’s always been capable of these things, but now it’s being produced at such a higher quality than previous efforts. It all comes together for some amazing individual song concepts &amp; a better album listening experience.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/top-5-songs-from-dreamvilles-new-d-day-mixtape</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-05-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/7b93faa4-0ec2-46af-a89c-36feb7670c4f/Top5DreamvilleDDaySongs.jpg</image:loc>
      <image:title>Wav.Max - Top 5 Songs From Dreamville’s New ‘D Day’ Mixtape</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/d7b593b7-6464-4e5a-a3dc-a64495905d2b/dreamville-artwork-1536x926.jpeg</image:loc>
      <image:title>Wav.Max - Top 5 Songs From Dreamville’s New ‘D Day’ Mixtape - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/melt-my-eyez-see-you-future-denzel-curry</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/177cb5bf-37ac-45d8-94c2-ba2c474c67e8/MeltMeEyezDenzelCurryReview.jpg</image:loc>
      <image:title>Wav.Max - Melt My Eyez See You Future - Denzel Curry</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/3d72f928-b5a6-4fef-a5ea-13bdeab6951b/Denzel-Curry-by-Adrian-Villagomez.jpg</image:loc>
      <image:title>Wav.Max - Melt My Eyez See You Future - Denzel Curry - Strengths:</image:title>
      <image:caption>Denzel is very deep, reflective &amp; self-aware on this new album. He sounds like he’s focused on moving from the past &amp; being a new person moving forward. Denzel is also very accountable &amp; aware of his flaws too (Ex: Troubles &amp; The Ills). In general, there are a lot of topics about himself &amp; the world that get packed into this reasonable run time. Before we dig more into Denzel’s improved rapping, this album has some insanely meditative production with hints of psychedelic elements (Ex: The Smell Of Death). It’s impressive how consistent the overall sound of the record is despite the number of producers involved. There are lots of dusty traditional rap drum samples that mess with jazzy instrumentation (Ex: Worst Comes To Worst). With his newer music having more traditional Hip-Hop elements than he’s known for, it should be noted that there isn’t too much of Denzel’s signature distorted high-energy that many fans love for its raw aggression &amp; emotion. There are still some insanely hard beats &amp; even trap production on songs like Sanjuro. And overall, his flows are versatile enough to fit on all different styles of beats (Ex: Walkin).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/eef620b0-3e79-422a-83d8-93c2522f0bc8/51E6Gr57AxL.jpeg</image:loc>
      <image:title>Wav.Max - Melt My Eyez See You Future - Denzel Curry - More Strengths:</image:title>
      <image:caption>This is some of the best rapping we’ve ever heard from Denzel. The southern influence in his flows creates some catchy verses &amp; choruses. The choruses on Melt My Eyez See You Future show that Denzel has leveled up &amp; improved with his songwriting (Ex: John Wayne). The lyrics are meditative at times &amp; paint a vivid image of his mind. While I love his smooth melodic harmonies (which did improve), the moments of his aggressive DMX-like delivery are incredible (Ex: Troubles). The versatility he displays as a rapper with his flows, delivery, etc. keeps the album from having skips or feeling stale. The 14 song tracklist never feels too long or dragged out despite having around a 45 min run time. And last, Denzel chose some solid features for this album. It was interesting to see how much great chemistry he had with T-Pain; which made for one of my favorites from the album. The posse cut Ain’t No Way features 6LACK, JID, Rico Nasty, Jasiah, Powers Pleasant &amp; other collaborators. It’s easily one of, if not, the best song on the album almost objectively.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/wavmax-presents-a-morning-with-tobi-lou</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/14c682f5-339a-442b-a3b5-21dddc07a72b/AMorningWithTobiLou.jpg</image:loc>
      <image:title>Wav.Max - Wav.Max Presents: A Morning With Tobi Lou</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/tana-talk-4-benny-the-butcher</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-03-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/07434226-f0d4-448c-8fa5-62343c7a2cdd/TanaTalk4Benny.jpg</image:loc>
      <image:title>Wav.Max - Tana Talk 4 - Benny The Butcher</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/2dc88cae-80cb-43c3-9883-21e727023368/benny-the-butcher-tana-talk-4-release-date-1200x675.jpg</image:loc>
      <image:title>Wav.Max - Tana Talk 4 - Benny The Butcher - Strengths:</image:title>
      <image:caption>Benny’s voice is powerful &amp; has a lot of impact on delivery. That, along with his NY accent, adds character &amp; commands attention. His flows shine clear, especially over the more traditional NY rap beats. Benny attacks each beat with engaging rhyme patterns, but he also still manages to stay versatile as well (Ex: Thowy’s Revenge). Lyrically, Benny sounds extremely cold &amp; calculated. His technical ability is in top form as expected, but he’s also getting better with making catchier songs/choruses. While at most times sounding confident, there are moments &amp; lines where Benny is menacing with some violent imagery. It does seem to match well with the themes of Tana Talk 4.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/90529c40-0d2a-4e23-b9de-8624d05c87fd/benny-the-butcher-tana-talk-4-new-album-stream.jpg</image:loc>
      <image:title>Wav.Max - Tana Talk 4 - Benny The Butcher - More Strengths:</image:title>
      <image:caption>The “Coke Rap” sub-genre has been dominating the underground scene recently. With Benny being one of the more recent artists popularizing that type of sound, he knows actually how to paint the necessary image for the song with his words. He’s believable &amp; reflects a lot on his life before &amp; after becoming famous. There are basic codes &amp; ethics on Tana Talk 4 that anyone can live by, and he promotes a hustler lifestyle on the album. There weren’t too many thoughts I had about the features listed for this album. I believe that J. Cole, 38 Spesh &amp; Stove God Cooks had the best performances on their songs. The song Tyson vs. Ali was an insane idea &amp; truly fits what the song stands for. What is the point of comparing both Benny The Butcher &amp; Conway The Machine? This album mainly has the traditional Griselda style of beats you’d expect. The drums on every song sound vintage &amp; punch through the mix at the right amount (Ex: Super Plug). Lots of the beats have dark or luxurious piano work; which could be intentional due to the Coke dealing theme. Whether it be sample-based or not, the Griselda producers give the rappers exactly what the fans want &amp; need.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/most-underrated-project-from-each-black-hippy-member</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-06-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/c47c3ddf-7dbc-4e3d-97af-2a2fbd715fa8/MostUnderratedBlackyHippyAlbum.jpg</image:loc>
      <image:title>Wav.Max - Most Underrated Project From Each Black Hippy Member</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/32d1669c-e766-4951-ab59-e8534f41c241/R-2828698-1302903581.jpeg</image:loc>
      <image:title>Wav.Max - Most Underrated Project From Each Black Hippy Member - Setbacks - ScHoolboy Q</image:title>
      <image:caption>Before blowing up with his 3rd album Oxymoron in 2014, Setbacks was the first official album he released on TDE. I think it’s very arguable that this is his best album, but I can say that it really might be my favorite. He may not be as polished with his abilities, yet there are songs here that sound so authentic &amp; honest. Additionally, you can hear how creative &amp; adventurous he was this early on into his career. Even other songs that are more relatable or subject-driven like “PHenomenon” &amp; “I’m Good” add so much character &amp; personality to Schoolboy Q.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/d59edbd6-439d-4ae9-8816-dc4a7c6ed49f/2980ceef.jpeg</image:loc>
      <image:title>Wav.Max - Most Underrated Project From Each Black Hippy Member - 90059 - Jay Rock</image:title>
      <image:caption>Not only the most recently released project on the list but also probably the best one. For many TDE fans that came after Kendrick’s ascent, this was the first introduction to Jay Rock’s music. Here we see Rock give some of his best rapping &amp; craft some of the best songs of his to date. It’s not super long either with an almost perfect run time. Not much is wasted on this spotless tracklist, and 90059 is one of the rare albums that actually was worth the 4+ year wait.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/237802d8-3ef4-4d21-bf90-bacb6cc8a120/Ab.jpg</image:loc>
      <image:title>Wav.Max - Most Underrated Project From Each Black Hippy Member - Longterm 2 - Ab-Soul</image:title>
      <image:caption>The best installment of his unfinished Longterm series. Many will agree that Ab-Soul was at his most popular after dropping the critically acclaimed album Control System. However, Longterm 2 might be his 2nd or 3rd project &amp; it’s not hard to see why. The mixtape has some of Soul’s best songs/rapping &amp; is extremely relatable at certain points. Similar to Schoolboy Q’s entry, it’s refreshing to hear all the raw unpolished talent they had at such an early time.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1198a3b5-5eaa-43e1-a6cd-c25b1588c2cb/hsxqi5ukiqgk49ys3ymj.jpeg</image:loc>
      <image:title>Wav.Max - Most Underrated Project From Each Black Hippy Member - Overly Dedicated - Kendrick Lamar</image:title>
      <image:caption>Easily the most well-known &amp; well-recognized project on this list. Yes, Overly Dedicated gets tons of praise even outside of Kendrick Lamar fans. I still think this one flies under the radar despite it having so many iconic songs for Kendrick fans. Many don’t accept it as a major part of his discography, and many don’t hold it up to the other albums because it’s pre-fame &amp; they assume it won’t live up. When in reality, while Section 80 is probably the better overall project thematically, this one might have some of the better individual Kendrick songs.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/top-5-songs-from-earthgangs-new-album-ghetto-gods</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/f57cd383-1c60-4f05-9b47-42f1fa652294/Top5EarthgangGhettoGodsSongs.jpg</image:loc>
      <image:title>Wav.Max - Top 5 Songs From EARTHGANG’s New Album ‘GHETTO GODS’</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/976ac6e6-a248-4896-bde8-b3152b548413/EG-by-Ant-Soulo-11.jpeg</image:loc>
      <image:title>Wav.Max - Top 5 Songs From EARTHGANG’s New Album ‘GHETTO GODS’ - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/sav-talks-about-balancing-life-making-his-own-beats-leaves-great-advice</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-11-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/a55c8f4f-dea8-47dc-97ea-da8379c35e9e/SAVInterview.jpg</image:loc>
      <image:title>Wav.Max - S.A.V. Talks About Balancing Life, His Go-To Producers, &amp;amp; Leaves Great Advice - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1d1d8470-f5da-4da6-aa86-3fb2915ddbba/IMG_2543.JPG</image:loc>
      <image:title>Wav.Max - S.A.V. Talks About Balancing Life, His Go-To Producers, &amp;amp; Leaves Great Advice - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/383a38d0-1aaa-4142-b2e4-e8777662ee45/IMG_2542.JPG</image:loc>
      <image:title>Wav.Max - S.A.V. Talks About Balancing Life, His Go-To Producers, &amp;amp; Leaves Great Advice</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/3-reasons-why-yeat-is-getting-more-mainstream</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-05-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/7d0ec0e4-4d97-4064-82cd-d8cae147f040/3ReasonsYEAT.jpg</image:loc>
      <image:title>Wav.Max - 3 Reasons Why Yeat Is Getting More Mainstream</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/bae7b425-cabe-4daf-8021-f8b2a05c9e5c/Yeat_Photoshoot.jpeg</image:loc>
      <image:title>Wav.Max - 3 Reasons Why Yeat Is Getting More Mainstream - Unique Vocal Delivery Style</image:title>
      <image:caption>One of the main aspects of Yeat’s style that draws audiences is his wildly bizarre vocal deliveries. He rides most beats very smoothly &amp; easily while delivering his lyrics in an exaggerated &amp; barbaric way. That mixed with the way autotune works so well with his vocals is a recipe for catchy music. It’s clear that his vocal style is influenced by artists such as Future, Young Thug, Playboi Carti, etc. Even with that being said, he still makes those influences unique to himself.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/0c68b16f-0a97-4979-8116-9adea63d66bf/img_8627-1.jpeg</image:loc>
      <image:title>Wav.Max - 3 Reasons Why Yeat Is Getting More Mainstream - Excellent Beat Selection</image:title>
      <image:caption>Yeat excels over the heavily synthesized “rage” beats that have been dominating the underground (and making their way into mainstream music). There’s the infamous bell sample used in one of his biggest songs Gët Busy. It’s now become a staple on most of his songs but doesn’t feel forced or overdone at all yet. He has tons of music that sound great in a party setting, but I think the beats he picks work well in the car &amp; under the influence. It’s clearly not difficult for him to sound well with mainstream rappers over these beats too; after hearing songs with Gunna &amp; Young Thug on his new album 2 Alivë.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/84519382-c596-4217-a71c-6668d2231335/69d.jpeg</image:loc>
      <image:title>Wav.Max - 3 Reasons Why Yeat Is Getting More Mainstream - Highly Valuable Recognition/Co-Signs</image:title>
      <image:caption>As mentioned above, Yeat has already started working with highly recognizable mainstream stars like Young Thug &amp; Gunna. Several other industry rappers have cosigned the Yeat take over. Interestingly, Drake has taken a liking to Yeat’s style &amp; they’ve even been seen hanging out together. This is obviously a tremendous cosign that doesn’t need to be explained further. Additionally, even Earl Sweatshirt has shared that he likes Yeat’s work in a recent interview.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/wavmax-presents-jid-vs-denzel-curry</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-03-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/127d3bcc-08f4-4955-ae1d-e9668a31b7ed/DenzelCurryJIDPlaylist.jpg</image:loc>
      <image:title>Wav.Max - Wav.Max Presents: JID vs. Denzel Curry Song Battle</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/few-good-things-saba</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-03-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/2e8f89ab-eafd-4724-912a-79c166be8569/FewGoodThingsSabaReview.jpg</image:loc>
      <image:title>Wav.Max - Few Good Things - Saba</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/56f8892a-b968-46b7-948f-813f2df0758a/saba-drops-few-good-things-stream.jpg</image:loc>
      <image:title>Wav.Max - Few Good Things - Saba - Strengths:</image:title>
      <image:caption>Saba’s flows are as sharp &amp; versatile as always. He’s able to find pockets in almost any beat, and his lyrics remain understandable when he delivers fast flows (Ex: an Interlude Called Circus). Additionally, his voice is chill &amp; smoothly enters into verses across the album. His singing/melodic style has also seen a step in improvement (Ex: a Simpler Time). Feature-wise, I think Smino &amp; 6LACK give the best guest appearances on the album. However, I think Mereba compliments Saba very well &amp; the Pivot Gang song is phenomenal. Pivot might be the most slept on group in Hip-Hop right now. The production on this album has a pure feeling/aesthetic to its sounds. Soft guitar riffs &amp; melodies mainly appear in most of the songs. They help the album carry a consistently laidback &amp; airy sound. Drums can range from being very bouncy, distinctively lofi, or both. It’s also nice seeing Saba rap over more accessible trap production too (Ex: Survivor’s Guilt).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/b329142e-be63-4382-b9b4-93cf58fdb27e/2744.jpg</image:loc>
      <image:title>Wav.Max - Few Good Things - Saba - More Strengths:</image:title>
      <image:caption>While he’s rapping &amp; rhyming in top form, I noticed how catchy a lot of these choruses are compared to some of his older work (Ex: If I Had A Dollar). His creative songwriting mixed with personal/relatable lyrics add to Saba’s already honest &amp; vulnerable persona. Thematically, a lot of these lyrics revolve around ideas such as death, anxiety, mental health, etc. In short, I like how Saba is finding &amp; appreciating the few good things in the midst of it all. Additionally, Saba is still handling/adjusting to his newfound success since 2018 (Ex: Fearmonger). We also see him speaking on the idea of family &amp; being new to fatherhood (I love the lines he has about his daughter on this album). “In the simple autumn weather, give my daughter all that's left”</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/best-song-on-each-earl-sweatshirt-project</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/42eb68df-bdc9-4fdf-9c58-0460de4c590d/BestSongsOnEarlAlbums.jpg</image:loc>
      <image:title>Wav.Max - Best Song On Each Earl Sweatshirt Project</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/f887dd54-8ec9-482b-98dc-6ba5df4a8bfe/Doris.jpeg</image:loc>
      <image:title>Wav.Max - Best Song On Each Earl Sweatshirt Project - Doris: Chum</image:title>
      <image:caption>Starting with one of the 2 most recognizable songs from Doris is “Chum”. The song is a dark, personal &amp; grimey rap anthem that made many fall in love with Earl as an artist on a mainstream level. Earl himself makes his grand return from Samoa &amp; delivered some of his best rapping on the first official Doris single. The music video really brings the song to life &amp; expands on the menacing energy of this song. Many wish Earl would go back to this style he primarily used in his early days, but the songs coming up are equally as amazing. Honorable Mention: Sasquatch &amp; Centurion</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/568cf8b4-3861-4724-81a3-fbe2706e4550/I_Don%27t_Like_Shit%2C_I_Don%27t_Go_Outside_An_Album_by_Earl_Sweatshirt.jpeg</image:loc>
      <image:title>Wav.Max - Best Song On Each Earl Sweatshirt Project - IDLSIDGO: Grief</image:title>
      <image:caption>The album “Grief” appears on is actually my favorite one in Earl’s discography. The song is one of Earl’s darkest songs ever between its brutal lyrics &amp; haunting production. The music video adds to these elements &amp; was pretty unique for the year that it was released. With the combination of Earl’s distinct monotone delivery/flows &amp; the beat’s powerful sub-bass hits, it easily stands out in his discography. I know I’m following up one lead single with another, but Earl’s proven to know what tracks to release during his album campaigns. Honorable Mention: Faucet &amp; Wool</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/ff0e2487-b9bc-491c-86b6-00ea21232bfd/earl_some+rap+songs.jpeg</image:loc>
      <image:title>Wav.Max - Best Song On Each Earl Sweatshirt Project - Some Rap Songs: Shattered Dreams</image:title>
      <image:caption>This album was the hardest for me to pick a specific favorite from. While the lead single “The Mint” features one of his best verses on the album, “Shattered Dreams” is the perfect starter for Some Rap Songs. Instrumentally, the song is extremely beautiful &amp; his lyrics fit as well. The final lines of the chorus really set the stage for the rest of the album: “Why ain't nobody tell me I was bleedin'?” “Please, nobody pinch me out this dream” Honorable Mention: The Mint</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/b442e7c0-2d72-448a-8bd7-675e74abc1f2/earl-sweatshirt-new-album-feet-of-clay-tonight.jpeg</image:loc>
      <image:title>Wav.Max - Best Song On Each Earl Sweatshirt Project - Feet Of Clay: Tisk Tisk/COOKIES</image:title>
      <image:caption>This entry could’ve been given to either individual half, but both play off each other well. The beat &amp; flow of the “Tisk Tisk” half is pretty catchy compared to his other songs. He raps about betrayal from a former companion over a dope sample beat. Once “COOKIES” comes in though, the song is injected with energy. I wouldn’t be surprised if this was other people’s pick for Feet Of Clay. Honorable Mention: Whole World &amp; MTOMB</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/8784c80c-f035-44f3-bd35-cc0cd3fca1b7/Earl-Sweatshirt-SICK-1641584520-870x870.jpeg</image:loc>
      <image:title>Wav.Max - Best Song On Each Earl Sweatshirt Project - SICK!: 2010</image:title>
      <image:caption>Ending the list off is another lead single from Earl. 2010 gave fans the idea that Earl is in the best mental state he’s been in for his past few releases. He also sounds noticeably clearer &amp; sharper with age, and he’s chosen to rap over a more accessible instrumental. The beat here is extremely hard with powerful drums &amp; the weird sample that’s looped for the main melody. It’s hard to deny this being the best song from the new album. Honorable Mention: Lye &amp; Tabula Rosa</image:caption>
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  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/its-not-so-bad-kyle</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/28ccd76f-7ab3-46df-a081-68770091ad6a/ItsNotSoBadKyleReview.jpg</image:loc>
      <image:title>Wav.Max - It’s Not So Bad - KYLE</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/654a9776-50c9-41c9-8435-9d5a7e3f87a6/KYLE-press-2022-billboard-1548.jpg</image:loc>
      <image:title>Wav.Max - It’s Not So Bad - KYLE - Strengths:</image:title>
      <image:caption>The album features colorful Pop instrumentals with bright sounds &amp; major scales/chords. There are still some Hip-Hop elements too. This fun &amp; accessible aesthetic is on-brand, and the beats are varied enough for multiple occasions (Ex: Optimistic). Both the vocals &amp; 808s sound very clean in the mix. The album’s theme heavily revolves around love &amp; heartbreak. It’s packed into some catchy &amp; memorable songwriting. You can tell that Pop music is right down KYLE’s alley; especially with the choruses on this album. The entire project doesn’t overstay its welcome &amp; makes its main weaknesses less noticeable.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/63456183-77b5-4033-8d67-5953ecaa7e4b/f9fae18c-ba44-4da0-a1ec-5aa0b49f2c29_1544291_TABLET_LANDSCAPE_LARGE_16_9.jpg</image:loc>
      <image:title>Wav.Max - It’s Not So Bad - KYLE - More Strengths:</image:title>
      <image:caption>KYLE plays with some nice flows &amp; melodies in his performances. As said above, his lyrics are very catchy to sing along to. Vocally, this is probably some of the best singing we’ve heard from SuperDuperKyle. He was never a trash singer, but I love how the engineer is blending his vocal layers. KYLE does still give his core audience some of the rapping we know &amp; love occasionally. Additionally, I think his feature choice was on point &amp; each one fit their collaborations appropriately. Ivory Scott has one of my favorite performances on the whole album in “Thumb Thru”. Their vocals are as equally dynamic as they are ominous.</image:caption>
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  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/dulanzo-talks-about-his-producer-origin/style-health-habits-more</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-01-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/59b81dbd-a0e0-4f63-9ebb-bf01d792ef26/DulanzoInterview.jpg</image:loc>
      <image:title>Wav.Max - Dulanzo Talks About His Producer Origin/Style, Health Habits &amp;amp; More - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/9b5e40b2-2f93-41f6-8737-4945337b6e18/IMG_2082.jpg</image:loc>
      <image:title>Wav.Max - Dulanzo Talks About His Producer Origin/Style, Health Habits &amp;amp; More</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/top-10-album-of-2021-part-two</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-01-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/d7b7f1a7-b5f0-4ac2-977b-e23eab780256/TopAlbums2021PartTwo.jpg</image:loc>
      <image:title>Wav.Max - Top 10 Album of 2021 (Part Two)</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/989d5df4-2136-49a6-8dad-0a83fba0ab36/j-cole-the-off-season-album-grungecake-thumbnail.jpeg</image:loc>
      <image:title>Wav.Max - Top 10 Album of 2021 (Part Two) - 5. The Off Season - J. Cole</image:title>
      <image:caption>Its basketball imagery &amp; themes fit perfectly alongside the album’s actual music. Cole is giving some of the best rapping &amp; flows of his career. The production choices are exciting, while still being more accessible. The energy Cole brings over these make this album less of a chore to listen through for the more casual rap fan. It’s safe to say that we’re all experiencing the prime of his career.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/8a78a71f-0944-4bd1-8b63-fc8e0491c36d/Mach-Hommy-Pray-for-Haiti.jpeg</image:loc>
      <image:title>Wav.Max - Top 10 Album of 2021 (Part Two) - 4. Pray For Haiti - Mach-Hommy</image:title>
      <image:caption>This album is respected as many listeners’ favorite 2021 album. It makes sense too as Mach-Hommy is one of the most gifted lyricists in the underground rap scene. His delivery is very unique &amp; versatile throughout all of these sample-heavy beats. Westside does an excellent job with Mach to deliver a beautiful sequel to Westside’s Pray For Paris. Both albums could be argued as the best in their year’s top album lists.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/d07ce9ba-2782-4ca6-a3e5-fb9fb3845e7f/9b50709a30fbb0eee802ba391af0eb43.999x999x1.png</image:loc>
      <image:title>Wav.Max - Top 10 Album of 2021 (Part Two) - 3. Call Me If You Get Lost - Tyler, The Creator</image:title>
      <image:caption>Tyler crafted an album that embodies more of his Wolf-Flower Boy sound characteristics. He’s giving some of the best verses of his career while flaunting his luxurious lifestyle under his new persona. Dj Drama adds a lot of character to the album that creates even more of a true Hip-Hop feel. Tyler also takes his production skills to another level &amp; delivers another one of his best-produced albums. It’ll be exciting to see what direction he goes in for his next release.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/df8f7385-a03e-417e-b10c-474b72edae25/MICK-J-ARTWORK-1001x1024.jpeg</image:loc>
      <image:title>Wav.Max - Top 10 Album of 2021 (Part Two) - 2. Elephant In The Room - Mick Jenkins</image:title>
      <image:caption>Mick Jenkins is one of the most consistent rappers I listen to regularly. Elephant In The Room is special though and is one of his best releases so far. Mick displays excellent ability and packs a lot into this short tracklist. One major improvement seen from Mick on this album is his singing skills. With great music &amp; incredible themes, this album is easily obtained the #2 spot on this list.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/ec8b4423-a724-461e-981a-07dc175df9df/channels4_profile.jpeg</image:loc>
      <image:title>Wav.Max - Top 10 Album of 2021 (Part Two) - 1. The House Is Burning - Isaiah Rashad</image:title>
      <image:caption>Isaiah Rashad made a massive return from his 5-year hiatus. That album shows how he’s perfected the art of making creative, deep, and “vibey” music. There’s still the great rapping present that we love from Isaiah, but also more accessible songs that remain true to himself. Despite the long wait, this album was worth it in the end. It’s great music for many different contexts &amp; settings.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/ds4ever-gunna</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-01-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/958178fb-4f7f-4709-930b-03c079cf416c/DS4EVERGunnaReview.jpg</image:loc>
      <image:title>Wav.Max - DS4EVER - Gunna</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/2677f39c-febe-4c9a-a025-35550ac692bd/01billboard-mediumSquareAt3X.jpg</image:loc>
      <image:title>Wav.Max - DS4EVER - Gunna - Strengths:</image:title>
      <image:caption>Gunna is notoriously known for his signature laidback flows &amp; delivery. Not only does it make most of his songs easy to listen to, but it also matches his chill persona. I enjoy it when he delivers higher-pitched vocals like the ones on “flooded”. While having moments where he flows like Young Thug, he has been putting effort into rapping more. With Gunna emphasizing his rapping on this album, he taps into some introspective moments like on the song “livin wild”. Most of the album centers around his luxurious lifestyle filled with money &amp; women. He’s very similar to Rick Ross in this was except less inspiring. Lil Baby &amp; 21 Savage steal the show with their features, but it’s nice hearing how much chemistry Gunna has with Kodak Black &amp; Chris Brown. The beat selection is a key highlight of DS4EVER. Songs like “pushin P” &amp; “thought i was playin” are the perfect example of this trait. Similar to his other work, the beats here feature piano, guitar &amp; trippy synth melodies. Production is closer to the other projects in the series and focuses less on capturing a watery or psychedelic feel.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1617a271-1317-4835-9551-a57753146817/gunna-grammys.jpg</image:loc>
      <image:title>Wav.Max - DS4EVER - Gunna - Weaknesses:</image:title>
      <image:caption>I can appreciate Gunna’s more meaningful songs, but these also end up being some of his weakest &amp; least engaging ones too. It’s just a splash of introspection in a sea of worn-out &amp; generic trap tropes. If his lines aren’t bad or basic, they’re simply just void of any real meaning &amp; are there to just make a rhyme. There are some bad singing moments that are either out of tune or an awkward fit entirely (Ex: you &amp; me). I also don’t like when his delivery is too laidback on the more upbeat tracks (Ex: poochie gown). Young Thug slightly underperformed on both of his features, but still helped make this album’s first half better than the second portion.</image:caption>
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  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/top-10-album-of-2021-part-one</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-01-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/25988637-cf31-42ee-8266-dbb2238cbdfa/TopAlbums2021PartOne+%281%29.jpg</image:loc>
      <image:title>Wav.Max - Top 10 Album of 2021 (Part One)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/a24fdaf1-8678-43d8-b0c3-c64f2a268b72/a0902761526_10.jpeg</image:loc>
      <image:title>Wav.Max - Top 10 Album of 2021 (Part One) - 10. Van Goghs Left Ear - Zelooperz</image:title>
      <image:caption>Starting our top 10 is one of the most unique &amp; creative projects I’ve listened to during the past year. Zelooperz can flow over any style of production while lacing some incredible lyrical moments. The outlandish &amp; abrasive style he brings on the more aggressive songs is infections. It’s an album that I’ve been listening to a lot on many different kinds of occasions. It’ll be exciting to see if the Detroit rapper can top this one in 2022.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/6848d681-93b3-461d-a06f-57927bff9129/images.jpeg</image:loc>
      <image:title>Wav.Max - Top 10 Album of 2021 (Part One) - 9. Hitler Wears Hermes 8 - Westside Gunn</image:title>
      <image:caption>Westside Gunn &amp; the rest of his team have been some of Hip-Hop’s most consistent artists right now. This 2-side album was a standout this year &amp; some of Westside’s best work yet. While I easily prefer Side B over Side A, both are very solid in their own right. He feels like a conductor bringing together all these talented features into his dark &amp; brutal world. Some of these instrumentals are as equally beautiful as they are menacing.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/be798431-9cc2-46a8-932f-b42481f837f4/kanye-west-donda-Cover-Art.jpeg</image:loc>
      <image:title>Wav.Max - Top 10 Album of 2021 (Part One) - 8. Donda - Kanye West</image:title>
      <image:caption>This album listening could only be described as a unique experience. Kanye delivered another solid release for his discography, and not much else really needs to be said. I think the main thing that doesn’t put it above other albums is its lack of true replay value. Regardless, it’s a beautiful piece of work that’s main highlights are the luscious beats &amp; 10/10 features. Similar to Westside Gunn at #9, Kanye West feels more like a conductor/pastor that leads the other artists onto the perfect spot for their guest appearances.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/e1117d08-8f67-4bf9-9521-ae598f9d206d/ab67616d0000b2739b3460bf663df3fb0bed4aa7.jpeg</image:loc>
      <image:title>Wav.Max - Top 10 Album of 2021 (Part One) - 7. nice - Amindi</image:title>
      <image:caption>Amindi’s last EP is way more than just nice. She’s probably my favorite breakout artist from 2021 &amp; released my favorite R&amp;B project of the year. After getting put onto her from Isaiah Rashad’s new album, I was anticipating what her next move would be moving forward. This EP has a fine balance of being easily accessible for new listeners &amp; still having quality song ideas. Not only is her songwriting lovely, but her voice is intoxicating &amp; fits perfectly over her fantastic production choice. She has a very bright future ahead of her in 2022 &amp; beyond.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/20242c54-c514-41d3-8e1b-b60f4ffb4c30/7c67ecc97c3b5f818ad3f84693954e5b.1000x1000x1.jpg</image:loc>
      <image:title>Wav.Max - Top 10 Album of 2021 (Part One) - 6. Vince Staples - Vince Staples</image:title>
      <image:caption>While I do like Vince’s past few releases, they’ve all felt slightly lackluster when comparing them to his 2015 album Summertime ‘06. This album broke that streak for me as it’s one of the most enjoyable listens from last year. Its short tracklist makes it extremely replayable, and Kenny Beats provides immaculate production that keeps everything flowing consistently. Vince Staples &amp; Kenny Beats are a solidified Hip-Hop duo that always strikes gold when they collab. The combination of Vince’s paranoia &amp; dark subject matter contrasts beautifully with these laidback &amp; lighter instrumentals.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/126pxpe-speaks-on-his-music-style-inspiration-favorite-song-of-his</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-01-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/c8ffa4d9-9e9d-4a4f-82a8-a3ee49800c82/126Interview.jpg</image:loc>
      <image:title>Wav.Max - 126Pxpe Speaks On His Music Style, Inspiration &amp;amp; Favorite Song Of His - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/cc78114b-a9b5-4251-b88e-690cdb2a0c03/IMG_1798+copy.png</image:loc>
      <image:title>Wav.Max - 126Pxpe Speaks On His Music Style, Inspiration &amp;amp; Favorite Song Of His</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/why-amine-can-dominate-the-2020s</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-12-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/a01283f2-faa4-4cdf-ae46-6cd57dcf00fe/WhyAmineCanDominate2020s.jpg</image:loc>
      <image:title>Wav.Max - Why Aminé Can Dominate The 2020s</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/78083f00-d32a-4f66-8455-5f4e5447aaa6/amine-euphoriazine+%281%29.jpeg</image:loc>
      <image:title>Wav.Max - Why Aminé Can Dominate The 2020s - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/one-more-time-xavierroy</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/24c16fd3-7bd3-442e-ad3f-4bdbd7e10c09/OneMoreTimeXavierRoy.jpg</image:loc>
      <image:title>Wav.Max - One More Time - XavierRoy</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/b9638826-52cb-400c-aa6a-b626c9b95446/square.jpg</image:loc>
      <image:title>Wav.Max - One More Time - XavierRoy</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/richer-than-i-ever-been-rick-ross</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-01-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/3f005ac1-c414-43c5-894a-d51a923ba498/RicherThanI%27veEverBeenRickRoss.jpg</image:loc>
      <image:title>Wav.Max - Richer Than I Ever Been - Rick Ross</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/12df9a62-e2d8-46b1-b79e-d58d24ad8c9c/01.jpg</image:loc>
      <image:title>Wav.Max - Richer Than I Ever Been - Rick Ross - Strengths:</image:title>
      <image:caption>The signature deep &amp; husky voice of Ross is always gonna be the best element of his rapping. He can either sound incredibly smooth or loud &amp; boisterous depending on the song. I’ve also noticed how exceptional he is at saying his lyrics clearly, despite having a deep voice. His flows on this album are smooth &amp; steady. He doesn’t do too much with them &amp; always sounds like himself (even on more modern beats like “Can’t Be Broken”). His rapping ability itself is greatly underrated, as he’s amazing at painting vivid pictures &amp; putting listeners in a specific setting/feeling. As usual, this album has tons of raps about his luxury lifestyle, money &amp; business topics. There are some introspective moments &amp; a lot of good advice being dropped, along with some very smooth talk about women. It’s nice seeing Ross work with newer acts such as Blxst, Youngeen Ace &amp; Benny the Butcher. Almost every feature on the album does great. 21 Savage tries something different &amp; surprising fits well on their collab “Outlawz”. Most of the beats on the album are stellar which we're used to from Ross albums. The 808s on certain beats blend nicely with the different samples &amp; live instruments. His voice meshes very well over horn/string/brass instruments (Ex: Rapper Estates or Imperial High).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/7d4b5a06-4674-41f9-b6bf-f51c2a070c57/rick-ross-complex-interview-1.jpg</image:loc>
      <image:title>Wav.Max - Richer Than I Ever Been - Rick Ross - Weaknesses:</image:title>
      <image:caption>There aren’t too many bad things I can say about this album. It’s still not his best, but it’s pretty solid for the most part. If there’s one thing I can start off saying though, it’s that the production is slightly disappointing when compared to other albums. Rick Ross is known for his beat selection &amp; most of the beats here are fine. I specifically think of a song like “The Pulitzer” where the beat is fire, but the loop gets stale/boring after a while. The only song I truly have issues with however is “Wiggle”. I’m not a fan of this song’s chorus at all as it’s repetitive &amp; generic. The way he’s delivering it is almost comical especially towards the end. I also didn’t care for Future’s fit on the song “Warm Words In A Cold World”. It’s not necessarily a bad verse but isn’t even comparable to Ross’ or Wale’s. I also think “Can’t Be Broken” sounds way more like Youngeen Ace’s song than Rick Ross’.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/luckis-been-on-an-impressive-2-year-run</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-12-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/99d7fbfe-fe17-4b29-8276-1a51e24c5dc7/LuckiRun2019-2021.jpg</image:loc>
      <image:title>Wav.Max - Lucki’s Been On An Impressive 2 Year Run</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/040b39ad-c708-4616-8d51-054adff81a89/lucki_freewave+3.jpeg</image:loc>
      <image:title>Wav.Max - Lucki’s Been On An Impressive 2 Year Run - Freewave 3</image:title>
      <image:caption>This project marked the start of this impressive run &amp; is Lucki’s most beloved project by his audience. Freewave 3 dropped on February 15th, 2019. Similar to most of his discography, the project tackles themes of heartbreak, drug addiction, and much more. It’s the Lucki project that introduced many new fans into his dark &amp; intriguing world. His drug-induced delivery mixed with catchy flows &amp; psychedelic beats makes for a great listen. It’s one of my favorite albums, and still has some of his most mainstream tracks to date. This was Lucki’s first step into rising mainstream stardom.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/f8c18b9b-7cad-4bdb-89a1-f83a943602d7/artworks-000620030104-nm8w98-t500x500.jpeg</image:loc>
      <image:title>Wav.Max - Lucki’s Been On An Impressive 2 Year Run - Days B4 III</image:title>
      <image:caption>Things didn’t end in 2019 after dropping Freewave 3. Lucki followed up by releasing Days B4 III on October 25th of that year. This project felt like Lucki’s victory lap to close out a standout year of his career. While following similar themes of his previous work &amp; showcasing the same style of delivery, this project features more accessible tracks too. Songs like “Go Away” are perfect to play around those who are looking for a hard banger &amp; are easy for newer listeners to attach to. He even plays around with heavy autotune on this project &amp; pulls it off very well. Overall, the slightly less depressing tone of this project boosted Lucki’s commercial fanbase even more.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/54aead7f-a318-4b50-aa76-b0005a03d1ef/https___images.genius.com_2cb61d23c3b597fe67404f888dbc04df.1000x1000x1.png</image:loc>
      <image:title>Wav.Max - Lucki’s Been On An Impressive 2 Year Run - Almost There</image:title>
      <image:caption>In 2020, he released Almost There as a project to hold fans over until his highly anticipated album “Flawless Like Me” which was set to drop later that year. Despite not getting that album to release, Almost There was still another treat that fans enjoyed for the rest of the year. The music style we all know &amp; love from Lucki is in full effect, but with even more commercially appealing tracks. Lucki mastered the ability to maintain his unique drugged-out euphoric sound with catchier songwriting &amp; even harder beats. There are still moments of introspection &amp; darkness that peak through his lyrics, but he sounds very confident here &amp; is self-aware of his rising stardom.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/e964df8b-0664-4ec0-ba5e-fa3c411e3a9f/6dc56715e55d6b312cad238fb88df8ab.1000x1000x1.png</image:loc>
      <image:title>Wav.Max - Lucki’s Been On An Impressive 2 Year Run - WAKE UP LUCKI</image:title>
      <image:caption>Finally, we have his late 2021 collab album with producer F1lthy. The duo had been teasing this tape all year long, but it has finally arrived to end the year out. Before the release, all of Lucki’s momentum had boiled to a peak. He received cosigns from Drake/OVO, started collaborating with more mainstream artists, and much more. It’s still early, but it’s looking like WAKE UP LUCKI has the potential of being his most successful project to date. Interestingly, the album showcases that Lucki truly understands his core audience &amp; what they like from him. While still boasting about his success &amp; money, this is the most he’s talked about love &amp; heartbreak since Freewave 3. The instrumentals are also very mainstream friendly &amp; fit with Lucki’s clearer delivery/flows. It all comes together for another push into the mainstream.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/nate-kobain-shares-his-dream-collab-audio-engineer-history-more</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-12-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/f7110cf2-0564-4256-a4f1-9ec774703a71/NateKobainInterview.jpg</image:loc>
      <image:title>Wav.Max - Nate Kobain Shares His Dream Collab, Audio Engineer History &amp;amp; More - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/ee343a07-ebb4-4d66-b891-2d971b3a085c/IMG_9383.jpg</image:loc>
      <image:title>Wav.Max - Nate Kobain Shares His Dream Collab, Audio Engineer History &amp;amp; More</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/what-would-mackin-do-chaunsay-mackin</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/7ed53ea8-b7fc-4c07-b870-661f588cba0a/WhatWouldMackinDOChaunsayReview.jpg</image:loc>
      <image:title>Wav.Max - What Would Mackin’ Do - ChaunSAY Mackin’</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/99fcb6d6-5695-4853-b934-735d618cb556/unnamed.jpg</image:loc>
      <image:title>Wav.Max - What Would Mackin’ Do - ChaunSAY Mackin’</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/5-reasons-to-checkout-mick-jenkins-new-album-elephant-in-the-room</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/80a277a5-cb74-4e49-a7e9-2d04cabd7864/5ReasonsToListenToMickJenkinsElephantInTheRoom.jpg</image:loc>
      <image:title>Wav.Max - 5 Reasons To Checkout Mick Jenkin’s New Album “Elephant In The Room”</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/ac5fb9d3-6a2c-490c-92e5-a2786fee551a/Screen%2BShot%2B2018-11-18%2Bat%2B7.30.38%2BPM.jpg</image:loc>
      <image:title>Wav.Max - 5 Reasons To Checkout Mick Jenkin’s New Album “Elephant In The Room” - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/Old-Soul-Cameron-Dietz</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/2d886108-d5bf-4044-b0ff-d8847ac90e49/OldSoulCameronDietzReview.jpg</image:loc>
      <image:title>Wav.Max - Old Soul - Cameron Dietz</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/700e3490-f614-401e-9435-f8ad72aba3a8/OTS07z3VkHs4YZ94vhR-_DpXBJ2pTNm1n8m8NdJ3s4U.jpeg</image:loc>
      <image:title>Wav.Max - Old Soul - Cameron Dietz</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/punk-young-thug</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1634633549397-VNAZUPAO5QG17RA1K6P3/PunkYoungThugAlbumReview.jpg</image:loc>
      <image:title>Wav.Max - Punk - Young Thug</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1634633615923-A83UT8FVH5ISZ4WILYXC/young-thug-first-impressions-joseph-okpako.jpeg</image:loc>
      <image:title>Wav.Max - Punk - Young Thug - Strengths:</image:title>
      <image:caption>Between the engaging story told on the intro &amp; some very motivational gems in his lyrics, this is probably the most personal, meaningful &amp; introspective music we’ve heard from Young Thug in his career. A song like “Stupid/Asking” is creative with a nice concept of him rapping from his lady’s perspective. Thug is rapping at his best too, as there are plenty of clever lines that sound random on the surface. His delivery &amp; flow are unique, insane &amp; versatile like usual. His vocals always sound as if they’re a part of the beat, and there’s moments where he’s actually rapping instead of his melodic style (Ex: “Yea Yea Yea”). When he is singing, it’s beautiful &amp; unique (Ex: The high notes on “Stupid”). You can hear how his style has influenced others, like how Cole &amp; Drake adapt parts of it on their features. Almost every feature does a great job. I love A$AP Rocky’s singing &amp; flow on his collab, and the non-Rap features on the song “Love You More” are great. It’s also easy to appreciate how the album’s posthumous guest appearances are handled respectfully. Production wise, guitar &amp; piano melodies makeup a bulk of the beats on the album. There’s tons of variety in stye, as a hard trap banger like “Scoliosis” is very different from the borderline pop cut “Livin’ It Up”.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1634633725649-Q2GRNMWG19N84DJJCQCH/20210714_JN5_ROLLING_STONE_YOUNG_THUG_LOOK_05_1330_WEB.jpeg</image:loc>
      <image:title>Wav.Max - Punk - Young Thug - Weaknesses:</image:title>
      <image:caption>While I do appreciate Thug’s effort in making more meaningful songs, the album itself does not entirely remained focused on these deeper themes. Even in his lyrics, there are still some random lines sprinkled throughout the tracklist that aren’t related to anything prior or after. However, this is only really an issue on the more personal songs anyways. On top of this, there are moments where his delivery sounds like some of the artists he’s influenced (Ex: Peepin Out The Window). Some of the slower acoustic ballads can grow to become boring after a while, although that has a lot to do with pacing. There’s also styles of production that are generic/overused like on the song “Insure My Wrist” (although the guitar lead fits beautifully &amp; adds a lot to this specific beat). The piano keys used on the song with Future are nice, but still pretty generic. These are the same beats you can find in other artists music such as: Rod Wave, Rylo Rodriguez, &amp; NBA Youngboy. Future even sounds a lot more unique than Thug on this same song. Last, the album as a whole is too long &amp; could be cut down to around 14-15 songs.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/let-me-breathe-kalab-king</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1634670054622-2P852VCMXK9PPF0K491N/LetMeBreatheKalabKingReview.jpg</image:loc>
      <image:title>Wav.Max - Let Me Breathe - Kalab King</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1634669974892-SKYDREJBH1Z37FIEOUVW/20211011_120009_2.jpg</image:loc>
      <image:title>Wav.Max - Let Me Breathe - Kalab King</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/best-songs-from-mac-millers-faces</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1634636204515-QQSBWXVALEOMLFVO1AIV/FacesMacMillerAlbumReview.jpg</image:loc>
      <image:title>Wav.Max - Best Songs From Mac Miller’s “Faces”</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1634636275084-HZ6ZKSLBYBBM96BK9R4H/merlin_143415120_0cc6ced3-2f72-4a48-a12c-ab822421e8a2-superJumbo.jpeg</image:loc>
      <image:title>Wav.Max - Best Songs From Mac Miller’s “Faces” - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/444-dvllv</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-10-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1633574972410-QMBMJXDEQZBWXUIB3ZZ1/444%24DVLLV%24Review.jpg</image:loc>
      <image:title>Wav.Max - 444 - $dvllv$</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1633575885885-2782IVKL8QLWQJ9U80U3/%EF%BF%BDDVLLV%EF%BF%BD+%285%29.jpg</image:loc>
      <image:title>Wav.Max - 444 - $dvllv$ - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1633576023850-35X33CI5AH2QGCVP4K5Z/%EF%BF%BDDVLLV%EF%BF%BD+%284%29.jpg</image:loc>
      <image:title>Wav.Max - 444 - $dvllv$</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/sebastian-summer-talks-about-his-hiatus-new-creative-pocket-more</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-12-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1632780522217-GF8USWGT72RIECGII800/SebastianSummerInterview.jpg</image:loc>
      <image:title>Wav.Max - Sebastian Summer Talks About His Hiatus, New Creative Pocket &amp;amp; More - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1632779380499-01PWD9G4230T832U5HLI/IMG_0831.JPG</image:loc>
      <image:title>Wav.Max - Sebastian Summer Talks About His Hiatus, New Creative Pocket &amp;amp; More</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1632779821764-MHNNBS49CVH4BMF53UL6/IMG_0832.JPG</image:loc>
      <image:title>Wav.Max - Sebastian Summer Talks About His Hiatus, New Creative Pocket &amp;amp; More</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/the-melodic-blue-baby-keem-28ykl</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1631928881356-UKV98NH44KOUAINPAXA9/TheMelodicBlueReview.jpg</image:loc>
      <image:title>Wav.Max - The Melodic Blue - Baby Keem - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1631929549263-XDXVJJ3L3NSMYDBSTA84/Baby-Keem-Header.jpeg</image:loc>
      <image:title>Wav.Max - The Melodic Blue - Baby Keem - Strengths: Keem touches more on his life, family &amp; upbringing on this album. You can hear certain subjects be addressed like his mother’s struggles ( Ex: Issues) &amp; how he can take care of his family now. There’s also lots talk of relationship, sex &amp; women. He seems to cherishes &amp; respects the women he protects &amp; cares about. The album explores Keem’s obscure mind, yet he also comes across as pretty relatable. His cousin, Kendrick Lamar, gives 3 standout (and meme-worthy) appearances on the tracklist. Keem handles a large bulk of the production on the album. Most of the beats contain his signature bouncy trap drum style, and some incredible anthemic bangers ( Ex: Booman). Each has their own unique or standout sound/instrument such as the song “ range brothers”. That song, like others, also features a few beat switches. The sound palette for this whole project is very diverse. There are songs like “ cocoa” which sound very exotic, and the R&amp;B/Pop fused records feel very cinematic. Keem is rapping some pretty outlandish &amp; funny lines, in the midst of other more creative &amp; clever ones. He’s very capable of writing catchy lyrics, as many lines &amp; chorus get stuck in my head regularly. “scapegoats” is a key cut where he’s putting intentional effort into showcasing his lyricism. He mainly sticks with abrasive high pitched delivery he’s know for, but does use his regular voice too. His high energy matches the unique, odd &amp; captivating flows on here. There’s a lot of range in his flow/style as well. Keem’s singing ability has definitely improved overall.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1631929574341-8TTFYBE23U40EFSY9LDU/Baby-Keem-1631646361.jpeg</image:loc>
      <image:title>Wav.Max - The Melodic Blue - Baby Keem - Weaknesses: Keem’s odd delivery doesn’t work on every song, and neither does all his melodic moments. He could’ve used less autotune singing in general on the entire album (Ex: gorgeous chorus is very obnoxious). I’m also not a fan of the chorus on the song “ south africa” at all. Some of the comical lines on the album fall flat &amp; come off bad/corny too. Don Toliver EASILY outperforms Keem on their collab, and I really wish they would’ve kept Kendrick’s verse on the song “ Vent”. While I love Keem’s creativity &amp; range, some of the singing/introspective cuts get boring &amp; can become background music. A lot of this is due to empty space in those beats that works against the album, equally as much as it helps the oceanic theme/feel. There are even some beats that do have generic elements, despite them all being great. I think the album would’ve benefited from being slightly shorter, and having the few filler songs cut.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/certified-lover-boy-drake</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1630732749087-UQW77U86CRAGIX0XZR6B/CLBDrakeReview.jpg</image:loc>
      <image:title>Wav.Max - Certified Lover Boy - Drake - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1630732720283-L9NI1VC1VJIFWHTQNKS7/drake-clb-art.jpeg</image:loc>
      <image:title>Wav.Max - Certified Lover Boy - Drake - Strengths:</image:title>
      <image:caption>What kind of subject matter can you expect from CLB? Well, there are plenty of relationship-based songs that fans have grown to love from Drake. This album specifically highlights his toxic masculinity, which is amazing when executed well (Ex: In The Bible). He also mentions he child a few times throughout the album. Drake delivers his lyrics smoothly with his well-known sing/rap style he uniquely coined. He even dabbles into some of the more modern melodic rap flows at times. Lyrically, Drake is still rapping in top tier form when he wants to. There’s a good balance of clever lines &amp; Instagram-ready captions sprinkled in his verses (Ex: chorus on Fair Trade). The song “7am On Bridle Path” features a pretty disgusting rhyme scheme. He obviously raps some Kanye disses too, and they’re honestly pretty great. This album has some of the best R&amp;B melodies/flows that we’ve heard from him a while. The production on CLB mainly consists of vocal sample beats, similar to his song “Chicago Freestyle”. There’s a lot of the classic, moody &amp; atmospheric OVO sound we all know too well. The song “Way 2 Sexy” samples the classic record “2 Sexy”. It comes together for a silly, yet fun record that could’ve been a lot worse. Feature wise, the singers easily steal the show. Rick Ross, Lil Wayne &amp; Jay Z all definitely have the best rap features in comparison to the others.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1630732867834-PM696UKSR7PVLSCN8DGO/drake-smile.jpeg</image:loc>
      <image:title>Wav.Max - Certified Lover Boy - Drake - Weaknesses:</image:title>
      <image:caption>Personally, I wish Drake had gotten more mature with his subject matter &amp; touched on fatherhood more in depth. While we do know what to expect from Drake at this point of his career, some listeners may be tired of hearing the same repeated subjects: betrayal, trust issues, paranoia, women, his success, etc. At times, his lyrics can feel devoid of any real substance or meaning (Way 2 Sexy sounds like a half-assed verse). The album is also way too long, and might not age well in his catalogue. This is a growing trend with his newer albums that I am not really a fan of at all. If the filler songs were removed, the tracklist would feel more concise &amp; focused (maybe 14-15 track instead). Additionally, most features weren’t really that special or even needed. And the few that are do tend to steal the show (Ex: Jay Z &amp; Travis Scott). Lastly, the beats aren’t too similar, but the sample direction leads to slow start to the album. Many listeners complained that the first few songs were boring. Some of these are also just flat out underwhelming; whether it be from being too generic or uninteresting. These are also some of the weakest trap beats we’ve ever heard Drake rap over (Ex: Knife Talk) with few exceptions. His lack luster delivery on some of these don’t help either (Ex: TSU).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/van-goghs-left-ear-zelooperz</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1629651837946-FCPF9G3AFQTTHNGG0NG8/VanGoghsLeftEarZelooperzReview.jpg</image:loc>
      <image:title>Wav.Max - Van Gogh’s Left Ear - Zelooperz - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1629652218829-VE9E5CDA6OUPIUH4NCTS/ErMdYEmXMAMeR-l.jpeg</image:loc>
      <image:title>Wav.Max - Van Gogh’s Left Ear - Zelooperz - Strengths:</image:title>
      <image:caption>This album features some of Zelooperz best rapping to date. It’s a mystery how he comes up with some of his rhymes &amp; imagery. I think there are many clever lines that may go unnoticed due to the other elements of his style. The weird off-kilter flows presented oddly fit into each pocket of these beats (and the beats themselves are already odd lol). Similarly to Acid Rap-era Chance, the moments of him being off beat sound tasteful, artistic &amp; intentional. There also times where he delves into smoother modern flows (Ex: Bluez). Theme wise, he’s more vulnerable than usual (especially during the 2nd half). Outside of touching on his love life, he’s pretty introspective &amp; reflects on his life; as well as the people around him. He seems to be pretty proud of how far he’s come, yet still remains hungry. The moments he touches on his painting career are also always nice to hear. Along with this, some of these beats are the most accessible we’ve heard him rap on (still a lot of innovative &amp; unique sounds too). There’s plenty of loud abrasive trap beats with disgusting 808s &amp; tons of Detroit/Flint influence. The samples utilized here are completely insane. There’s a wide range of variety between the Kanye-esque sample loop on “Dedicated My Life” &amp; the crazy Crash Bandicoot videogame samples on his collab with Danny Brown. Most artists could not pull off sounding good on a majority of these beats.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1629652296606-AAIG6SC4I5U08ICFOKPN/Zeloopers.png</image:loc>
      <image:title>Wav.Max - Van Gogh’s Left Ear - Zelooperz - Weaknesses:</image:title>
      <image:caption>I don’t have too many negative takeaways, but there are definitely still flaws that I can see other listeners not enjoying. For starters, the few off beat moments I praised above can just as easily be a turn off for most casual listeners (Ex: Ticking Time Bomb). The same can also be said about his delivery, but this album is the most tame/controlled it’s been in recent memory. Most of the features are pretty solid &amp; match Zelooperz vision/energy, but Danny Brown underwhelmed me. His verse was not bad, but not as stellar as Zelooperz. At times, his lyrics can be completely comical when paired with his outlandish delivery. This usually is an amazing combo, but there are other times when it’s distracting (and can turn listerners off in general). On top of this, the moments he delves into the love-themed tracks are usually the album’s weakest points (Ex: Remote Island). These songs are more towards the end of the album, which makes the first half more enjoyable than the rest overall.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/top-5-features-on-kanye-wests-donda-album</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-12-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1630457666533-KNBVYGPD4P4XW8G7284B/kanye-west-donda-Cover-Art.jpeg</image:loc>
      <image:title>Wav.Max - Top 5 Features On Kanye West’s “Donda” Album</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1630511375134-LFQ4FOHGNJ50XSBDIPRM/t6o6l0os8tvw25igl4ss.jpg</image:loc>
      <image:title>Wav.Max - Top 5 Features On Kanye West’s “Donda” Album - 5. Jay Electronica</image:title>
      <image:caption>One of the perfect people to have feature on an album like Donda. Right when he comes in on “Jesus Lord”, his verse immediately demands the listener’s attention. Along with matching the religious tones, Jay bodies this instrumental with his insane rhyme schemes &amp; stone cold flow. There are also too many amazing lines to showcase, such as: “I shake the tectonic plates of the game if I lay one vocal”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1630511623148-SXEU183NAG8DTZQ5K8Q9/kid-cudi-and-don-toliver-set-the-mood-for-heaven-and-hell-1630281567.jpeg</image:loc>
      <image:title>Wav.Max - Top 5 Features On Kanye West’s “Donda” Album - 4. Both Kid Cudi &amp; Don Toliver</image:title>
      <image:caption>These artists both sound like other dimensional beings on the song “Moon”. Don’s voice appears first singing the chorus beautifully in a high vocal register. Both his &amp; Cudi’s vocals feel very smooth &amp; dynamic laying across the lovely guitars. I like how Cudi’s verse is personal &amp; subtly touches on mental health in certain lines. Overall, this song is very intoxicating &amp; enchanting.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1630511702314-MCA9ZABDR8QXDM5W9Q0O/Fivio_Foreign.jpeg</image:loc>
      <image:title>Wav.Max - Top 5 Features On Kanye West’s “Donda” Album - 3. Fivio Foreign</image:title>
      <image:caption>Fivio has easily given Kanye West the best verse he’s laid in his career. I’ll be honest, I automatically questioned his appear when it was first revealed to be on the tracklist. BUT, this is not the case at all with the way his rhymes are flowing on “Off The Grid”. He touches on his experience in the music industry, as well as his life growing up in the streets. Additionally, his ad-libs on “Ok Ok” sound great next to Ye.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1630511928687-O3TIAK4ARVXXR7EAFY5H/GettyImages-1337006288+%281%29.jpeg</image:loc>
      <image:title>Wav.Max - Top 5 Features On Kanye West’s “Donda” Album - 2. JAY-Z</image:title>
      <image:caption>Everyone was anticipating the looming reunion between Kanye West &amp; JAY-Z. It was nice &amp; refreshing seeing them collaborate on music again. Jay gives an outstanding verse that perfectly fit the themes of the album. His flow might throw some off, but I thought it was pretty entertaining. Similar to Electronica, he had way too many amazing lines to count: “Hova and Yeezus, like Moses and Jesus”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1630512049666-HY7X7036J2Q5M9UWRCFM/Vory-press-cr-Chris-McCoy-2021-billboard-1548-1622067274-compressed.jpeg</image:loc>
      <image:title>Wav.Max - Top 5 Features On Kanye West’s “Donda” Album - 1. Vory</image:title>
      <image:caption>An artist I wasn’t entirely familiar with prior to this album. Vory gave listeners 3 standout appearances, and plays a major role on this entire album. I like how he communicates to Donda on the track “God Breathed”. His voice on this song (and the others) is very powerful &amp; meshes well with the autotune. At times, his vocals were reminiscent of Post Malone (in a positive way). In short, he arguably gives the best performance on each song he appears on; which can’t go unnoticed.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/nice-amindi</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-08-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1628789288393-AMHLF5WXAB8AGIK6420T/NiceAmindiReview.jpg</image:loc>
      <image:title>Wav.Max - nice - Amindi</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1628789734502-IOX2G7YSCCDNJAYYT5YL/pjimage-21.jpeg</image:loc>
      <image:title>Wav.Max - nice - Amindi - Strengths:</image:title>
      <image:caption>Amindi touches on her come up story &amp; is very aware of herself in this position (Ex: Slideshow). Her lyrics are written beautifully &amp; she’s very clever with the way she utilizes wordplay. I love the song “NWTS”; which is themed &amp; abbreviated after Drake’s album. There’s some bragging on the EP occasionally, but still gets very personal &amp; relatable like on the song “Haircut”. She’s incredible at generating catchy choruses. Her style has always felt very Badu inspired to me, especially with her delivery. It’s very smooth, laidback &amp; intoxicating compared to her peers. The same can be said about her flows; which catchy &amp; versatile. Her song “Telly” has been stuck in my head for the past few days actually. I give her respect for not going the feature route, as the project holds up fine on its own. I do wish there was a way to get Kendrick on the song “Haircut”.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1628789763653-170RSUSO64IV18G6XSH4/download.jpeg</image:loc>
      <image:title>Wav.Max - nice - Amindi - More Strengths:</image:title>
      <image:caption>The sound of this project is versatile across the board, but still consistently remains in the alternative R&amp;B lane. Between all the soft &amp; beautiful chords, are vintage samples/sounds. Many different styles are explored &amp; executed well by Amindi. The intro song “U Got Next” reminds me of some of Kanye’s work, and a few other songs give me major TDE vibes. The drums used are usually either: lofi/dusty on the more traditional songs or more modern/trap-infused on the more contemporary records. There are some moments where she reminds me of SZA, however it’s never in a way that’s distracting or detracting. If anything, I just really wish this project was longer.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/best-songs-from-isaiah-rashads-the-house-is-burning</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-10-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1628104891391-FFXW3N106HQWRXZOGEJX/TheHouseIsBurningIsaiahRashad.jpg</image:loc>
      <image:title>Wav.Max - Best Songs From Isaiah Rashad’s “The House Is Burning”</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1628105359892-LTHHRGTUNY2GZJYRFHM3/1627595217899_isaiah-flipped.png</image:loc>
      <image:title>Wav.Max - Best Songs From Isaiah Rashad’s “The House Is Burning” - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/vince-staples-vince-staples</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-08-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1626813740156-7RISWDU8M4ZZK5TGKAD5/VinceStaplesVinceStaplesAlbumReview.jpg</image:loc>
      <image:title>Wav.Max - Vince Staples - Vince Staples</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1626813823845-AZWOAYCKN5JG0I3O3WWI/46b72b1e3d1463243cb2130a6ca0149c.jpg</image:loc>
      <image:title>Wav.Max - Vince Staples - Vince Staples - Strengths:</image:title>
      <image:caption>Vince appears to be reminiscing on his old dangerous life in Long Beach, CA. Some of his old tendencies, instincts &amp; fears still follow him, despite being a successful rapper in the present (like keeping a gun on him at all times). The album is full of lyrics about paranoia, mistrust &amp; anxiety. These are also some of the best lines Vince has rapped in his entire career, and it sounds like he has something to prove: “But Lil Wayne Carter what I call my .38” The album is very short, sweet &amp; straight to the point. There is one standalone feature from Foushee; who compliments Vince extremely well on their collaboration. His flows here are very fitting, captivating, and fun to rap along to. The delivery of Vince Staples is a lot more tame &amp; laidback than usual. There aren’t too many high energy moments, and the few times he gets melodic sound lovely (Ex: Are You With That). This is probably due to the Kenny Beats production. The beats on this album feature very smooth vintage vocal samples, and very tight well-sequenced drums. It’s a chill, light &amp; airy West Coast soundscape that contrasts Vince’s subject matter beautifully; yet still has a nice bounce in it’s instrumentals.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1627482833525-ZEKJ7RWIG6B452Y7DUEG/f2370c6a7d197fb38fc2feda60e1bfcd.jpeg</image:loc>
      <image:title>Wav.Max - Vince Staples - Vince Staples - Weaknesses:</image:title>
      <image:caption>There aren’t really that many dull moments or negative takeaways. A lot of what I’m going to address in this section can be seen more as minor critiques. For example, there definitely could’ve been 1 or 2 more tracks (specifically some more uptempo cuts). The album ending with the song “Mhm” feels a little awkward, since it’s the most energetic cut. His laidback delivery could bore certain listeners, alongside the consistent chill vibe from Kenny’s beats. In addition, I think it makes certain lines go under-noticed &amp; the lack of sticky choruses (with some exceptions) really does not help this at all.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/vibin-like-star-lord-chillz-muzik</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-10-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1626353170791-0IAAV0UUV8YYR3LQ67GE/VibinLikeStarlord.jpg</image:loc>
      <image:title>Wav.Max - Vibin’ Like Star Lord - Chillz Muzik</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1626354945337-U9RE8QPO9WUQ9LCON5UV/chillz1.jpeg</image:loc>
      <image:title>Wav.Max - Vibin’ Like Star Lord - Chillz Muzik - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1626353442660-LE6CGVT4L25O2MWM2T90/0019877455_10.jpeg</image:loc>
      <image:title>Wav.Max - Vibin’ Like Star Lord - Chillz Muzik</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/25-g-herbo</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-08-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1625986624985-6JMKPYEORNLNS7VFRHZP/25GHerboReview+%281%29.jpg</image:loc>
      <image:title>Wav.Max - 25 - G Herbo - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1625986744503-RRVVBGTX4QP6Z9IZV5JU/g-herbo-press-2021-billboard-1548-1625245670-compressed.jpeg</image:loc>
      <image:title>Wav.Max - 25 - G Herbo - Strengths:</image:title>
      <image:caption>This is some of the best rapping we’ve heard from G Herbo since his Humble Beast album. His rhyme schemes are out of this world, and he still comes through with some clever wordplay &amp; metaphors (Ex: 2 Chains). He also shows lots of versatility with his flow, as he finds tight pockets &amp; switches to match each beat. Many are familiar with Herbo’s passionate, aggressive &amp; powerful standout voice. It really helps the listener feel the pain he feels on the more sentimental tracks. The production on 25 is also a lot more similar to his older work; when compared to albums like the Swervo series. There’s a lot more samples being used on this album in combination with the loud trap drums. Typically, most of the beats hear have a creative sample chop/loop alongside hard hitting snares &amp; kicks. There are even some more traditional sounding Hip-Hop beats here (Ex: Loyalty). Overall, the album sounds very Chicago. Topically, the album features a lot of reminiscing on his street upbringing &amp; former lifestyle (Ex: Stand The Rain). He’s matured past a lot of it, and appreciates surviving 25 years of life (which is not common for some of his peers). Despite flexing &amp; staying dangerous, G Herbo is very open about his personal life in his lyrics. He touches on subjects like: quitting drugs, his family, and even gets “woke”/political on the song “Demands”. I really appreciated this track because of it’s execution, activism &amp; accountability.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1625986832410-XPMQNSI81A7ZN20PEH85/gettyimages_979796126_2048x2048.0.jpg</image:loc>
      <image:title>Wav.Max - 25 - G Herbo - Weaknesses:</image:title>
      <image:caption>There really isn’t much I didn’t like about this album. Still, one minor critique I have is that it could’ve been a little shorter. It’s not a major issue at all, but songs like “Trenches Know My Name” &amp; “Pray 4 My Enemies” don’t add anything new to the album (despite not being bad songs). If anything, I could see how the album’s overall subject matter could get old/repetitive to some audiences. The features here aren’t anything special; with the exception of 21 Savage who has a great appearance. Additionally, the “off beat” flow he’s overly criticized for does show up on a few songs.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/south-side-livin-cimplydan</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1625756310219-MCILJKO5LBN0PLA1H7XN/SouthsideLivinCimplyDan.jpg</image:loc>
      <image:title>Wav.Max - South Side Livin’ - CimplyDan</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1625780437124-GBVGX68LE2JOZYSO7SFA/CimplyDan.jpg</image:loc>
      <image:title>Wav.Max - South Side Livin’ - CimplyDan - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1625756392908-5R6PVBTHQYQK48QNTC9H/CimplyDan+%282%29.jpg</image:loc>
      <image:title>Wav.Max - South Side Livin’ - CimplyDan</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/call-me-if-you-get-lost-tyler-the-creator</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1625418647791-OA9V68G825K8HXC4TNS5/CallMeIfYouGetLostChiefKeef.jpg</image:loc>
      <image:title>Wav.Max - Call Me If You Get Lost - Tyler, The Creator</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1625419020808-7SSO22MN5WRHLA0D4UGS/coloredited_RiokaHayama_Tyler_the_Creator_-900x580.png</image:loc>
      <image:title>Wav.Max - Call Me If You Get Lost - Tyler, The Creator - Strengths:</image:title>
      <image:caption>On first listen,The album initially felt like a victory lap to me. There’s lots of bragging &amp; boasting in Tyler’s lyrics; mainly topics revolving around money, status &amp; vehicles. There’s also a love triangle present on the album. Despite all he has earned, he still can’t get the woman he truly wants (Ex: Wilshire). Tyler is vocally pro-black &amp; it can be heard on songs like “Manifesto” &amp; “Lumberjack”. His maturity is a major element to the album: “Yeah, when I turned twenty-three that's when pubеrty finally hit me” Lyrically, Tyler is rapping the best he ever has in his career (Ex: Hot Wind Blows). There’s a lot less shock value in his lyrics, yet still remains outlandish at the right times. His flow is extremely versatile, and he’s able to make his deep voice fit over many different styles. Songs like “Wusyaname” &amp; “Lumberjack” showcase a very New York/Dipset vibe. There’s the song “Wilshire” where his delivery reminds me of Drake. For the most part though, he’s rapping similarly to his earlier work (except improved &amp; with elements of New Tyler).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1625419073415-SGSHG4K3PWLQY7IAFY9W/4504ce93917f1af0f00873310a9a29a5.jpeg</image:loc>
      <image:title>Wav.Max - Call Me If You Get Lost - Tyler, The Creator - Strengths (Continued):</image:title>
      <image:caption>The production on this album is amazing and mainly comes from Tyler himself. It was noticeably more similar to his Odd Future/Wolf sound, but still had elements of his other work. There are still instances where Tyler utilizes his signature analog synths, quirky sounds &amp; luscious chords (among other instruments). I appreciated his style combined with the reggae/island sound on the song “Sweet”. He even makes quite a few legitimate bangers: RunItUp, Lemonhead, Juggernaut. The more traditional/boom bap songs reminded me of a lot of Griselda, Earl Sweatshirt &amp; Madlib’s work. There are lots of dusty drums &amp; beautifully vintage samples used on those beats. Feature wise, I think everyone did an excellent job for the most part. Specifically, the trap artists such as NBA Youngboy &amp; 42 Dugg execute their guest appearances perfectly. Brent Faiyaz sounds majestic on their collab, and Pharell bodies his verse on Juggernaut alongside Lil Uzi Vert. Lil Wayne easily has the best verse on the entire album though: “The wind beneath my wings, Desert Eagle underneath my coat” ~ Lil Wayne</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/sin-city-ski-mask-the-slump-god</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1624809541118-LPDRYVLC6EN6XMJF5Q9B/SinCitySkiMaskReview.jpg</image:loc>
      <image:title>Wav.Max - Sin City - Ski Mask The Slump God - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1624809636320-BMGGCMY940172F0LI4VL/attachment-ski-mask-the-slump-god-photo-2.jpeg</image:loc>
      <image:title>Wav.Max - Sin City - Ski Mask The Slump God - Strengths:</image:title>
      <image:caption>The incredible ability he has with flowing is still Ski’s greatest strength, yet it’s a lot more focused &amp; controlled compared to his earlier work. He continues to find great pockets &amp; can truly rap over any kind of instrumental (Ex: Metal Magneto). His delivery is very aggressive throughout the project, but he still gives us a beautiful singing moment on the track “Lost In Time”. Most of the beats on Sin City feature a dark/brutal aesthetic. The BPM of each beat is usually fast &amp; features trap drums with cool hi-hat rolls. The more acoustic beats sound very trippy &amp; mystical (Ex: Metal Magneto &amp; Lost In Time). Lyrically, he’s rapping excellently most times &amp; putting his talent on display. As usual, there are lots of cool pop culture references &amp; metaphors. On the song “Fire Hazard” he raps: “And I call my wrist Klaus 'cause it's in a fishbowl” ~ Chorus “And, like Lava Girl, that firearm what gon' protect us” ~ 2nd Verse</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1624809700775-MS0HI5I87GI4DICIXCKQ/1.jpeg</image:loc>
      <image:title>Wav.Max - Sin City - Ski Mask The Slump God - Weaknesses:</image:title>
      <image:caption>Despite the incredible rapping he does deliver on the mixtape, there are a couple of bad/forced lines as well. Before getting into that, I will also add that the vocal quality seems oddly low at times (although it could be intentionally mixed this way). The singing on the song “Ya!” is pretty bad compared to his other work. Going back to the lyrical lows though, it seems like there are moments where he forces an unnecessary reference. The chorus of the song “Admit It” is pretty annoying &amp; takes away from the track. Lastly, here are some specific lines to paint the picture: “She thought I was from Houston 'cause everything is bigger in Texas” ~ Dr. Suess “My dick is her cup of Joe, not talkin' 'bout Biden” ~ The Matrix</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/wavmax-presents-soundcloud-underground-2021</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-06-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1623962461224-RV6CSNBH1IEHOU4R0Q9S/SCUnderground2021.jpg</image:loc>
      <image:title>Wav.Max - The Underground Soundcloud Rap Scene Has Dominated 2021</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/dr-ev4l-young-nudy</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-06-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1621778586763-46H967NNINFHQZKRGUOB/Dr.EV4LYoungNudyReview.jpg</image:loc>
      <image:title>Wav.Max - DR. EV4L - Young Nudy</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1621780938340-Z200017W3FAWJDBTCDKF/avatars-yVzsCXqmAD2PrRiH-YR9yYw-t500x500.jpeg</image:loc>
      <image:title>Wav.Max - DR. EV4L - Young Nudy - Strengths:</image:title>
      <image:caption>His rapping ability has stepped up significantly compared to his previous releases. Despite not being a true lyricist, Nudy manages to create some catchy, clever &amp; savage lines (that are easy to believe). The main highlight I noticed was how well he steps up &amp; switches his flow a lot throughout the tracklist (Ex: Dr. EV4L &amp; Soul Keeper). Outside of Nudy bragging about juggling both in the streets &amp; the industry, you get the usual themes of money, murder, trapping, etc. Young Nudy has a very unique voice &amp; he brings a lot more energy along with it on this particular album. The few moments he uses autotune are even delivered the best I’ve heard from his discography. 21 Savage &amp; G Herbo give some of the best verses on the entire album, alongside Nudy. Pierre Bourne is no where to be found, but the other producers do an AMAZING job on giving Nudy the production style for his sound/flow (Ex: Child’s Play). A lot of the melodies sound straight from a Nintendo game. There’s a wide variety of retro, trippy &amp; atmospheric synths/pads/arps/etc (Ex. Mini Me &amp; Columbian Necktie).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1621781028956-YNZXY2WZ54O8F7XOPATJ/01-Young-Nudy-artist-visit-May-28-2019-billboard-u-1548-compressed.jpeg</image:loc>
      <image:title>Wav.Max - DR. EV4L - Young Nudy - Weaknesses:</image:title>
      <image:caption>Despite his rapping being the best it’s ever been overall, there are still times when he spits very basic and/or questionable lines. His flow improving does make up for this for the most part. His voice can also be somewhat boring for some listeners/haters that don’t particularly care for his laidback southern delivery. Lil Uzi Vert has an alright performance on their collab, but it’s easily the most forgettable feature on the whole project.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/the-off-season-j-cole</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1621442301352-HM8GMZ2C0BAH1PB36BCB/TheOffSeasonJColeReview.jpg</image:loc>
      <image:title>Wav.Max - The Off Season - J. Cole</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1621442368590-JRU77CV01IXBWROOLP7S/cole-2021.jpeg</image:loc>
      <image:title>Wav.Max - The Off Season - J. Cole - Strengths:</image:title>
      <image:caption>This is the most confident we’ve heard Cole so far, as his voice has reached new levels of energy &amp; power. Songs like “1 0 0 . m i l” prove that he has one of the best deliveries in rap. His singing has even improved significantly &amp; has a better grasp of autotune. Throughout the project, Cole experiments with lots of trap flows &amp; elements (Ex: a m a r i &amp; his Lil Baby collab). He bars out &amp; finds some of the best pockets in every beat on the project. “Could put a M right on your head, you Luigi brother now” We’re getting some of the best rapping/wordplay of Cole’s entire career. There are insane rhyme schemes present on the album &amp; is still in his prime. The basketball themes are felt, as he references players such as: Ja Morant, Lebron &amp; Damian Lillard (sampled). In addition, Cole reminisces on his career &amp; old relationships a lot. Songs like “l e t . g o . m y . h a n d” contain the humbleness &amp; vulnerability expected of Cole. There’s also lots of bragging about his status in the game, legacy &amp; money. “Nigga, Cole been goin' plat' since back when CDs was around”/ “What you sold, I tripled that, I can't believe these fuckin' clowns”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1621442459936-CYWFSRUAT1JOIMU3VYOB/j-cole-all-star-game.jpeg</image:loc>
      <image:title>Wav.Max - The Off Season - J. Cole - Strengths (Continued):</image:title>
      <image:caption>Production wise, it’s the most mainstream/accessible project he’s released. There’s lots of 808s &amp; trap production that matches the current soundscape of rap. Cole &amp; T-Minus do a fantastic job with the blend of worlds, and Cole continues to be underrated as a top tier producer. The sampling is beautiful on many tracks (Ex: m y . l i f e) &amp; lots of appreciation for the NY boom bap style instrumentation. It’d be a great listen for occasions such as: basketball practices, workouts, hoop mixtapes &amp; 2K sessions. Lastly, the features here add as nice breaks in between Cole spazzing throughout the tracklist. Every feature is a hit, and some of the best tracks come from these tracks. Cole &amp; 21 Savage seem to be a deadly duo, although it’s hard to say him &amp; Bas ever miss either. I really love how easily Lil Baby fills in right after Cole on the 7th track.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/senseless-marlounsly</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-05-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1620744355365-TQQ9OZRMK5JA4NWZUIU1/MarlounslySenselessReview.jpg</image:loc>
      <image:title>Wav.Max - Senseless - Marlounsly</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1620744536377-GTYWNXFK8WQ1JK16A5YM/Marlounsly.jpeg</image:loc>
      <image:title>Wav.Max - Senseless - Marlounsly</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1620749942228-GCUKV5D4T088V4H6F2MW/Marlounsly+%282%29.jpeg</image:loc>
      <image:title>Wav.Max - Senseless - Marlounsly</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/woods-nahuna</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-05-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1620060568368-P0KTZQ2EK08H73WNJ9T4/WoodsNahunaReview+%281%29.jpg</image:loc>
      <image:title>Wav.Max - Woods - Nahuna</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1620060655688-KA0W817JUQHZ6LMA3NR1/DSCF1211.jpg</image:loc>
      <image:title>Wav.Max - Woods - Nahuna</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/black-artists-on-bandcamp-you-should-support-this-friday-may-2021</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-05-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1592488325016-YP58R8QXMO8DNGSN07W7/BandcampArtists.jpg</image:loc>
      <image:title>Wav.Max - Black Artists On Bandcamp You Should Support This Friday (May 2021)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1620089780645-5JKX8MCLO7QNF8PTJBNU/a4180538860_16.jpeg</image:loc>
      <image:title>Wav.Max - Black Artists On Bandcamp You Should Support This Friday (May 2021) - DeeRiginal</image:title>
      <image:caption>Deeriginal is an artist hailing from London, UK. I was immediately hooked on his music after hearing the 1st song on his project Fresh Air. This 3-track tape is a representation of him removing toxic attachments, and replacing them with “fresh air”. While choosing to focus on the brighter side of life, he effortlessly flows over these high quality UK beats &amp; his powerful voice demands attention to his words. There’s also even a track at the very end that utilizes a Lo-fi Hip-Hop style to create a smooth outro. Overall, I’d say this short project has a little bit of everything for all kinds of Hip-Hop listeners. Price (If You Choose To Buy): £5</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1620085021885-RGMVD8VL987T9363D1U9/a2583981344_16.jpeg</image:loc>
      <image:title>Wav.Max - Black Artists On Bandcamp You Should Support This Friday (May 2021) - Amaarae</image:title>
      <image:caption>Amaarae is a bit more established than other artists featured on this list. Nevertheless, her genre bending afro-pop is worth acknowledgement, praise &amp; direct support. The project I discovered on Bandcamp is a deluxe version of her 2020 release “The Angel You Don’t Know”. The title is very fitting, as her vocals rest beautifully over these fun, bouncy &amp; colorful instrumentals. I could see her sounding excellent alongside similar artists like Jean Deaux, Ravyn Lenae, Doja Cat, etc. Price (If You Choose To Buy): $15</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1620086491733-G5OVU2MMUG58SO4GH2ZN/a0316869356_16.jpeg</image:loc>
      <image:title>Wav.Max - Black Artists On Bandcamp You Should Support This Friday (May 2021) - Yaboycosmo</image:title>
      <image:caption>He’s located in Queens, New York &amp; represents the city’s original sound very well. Cosmo is a lyricist that truly brings the grime &amp; swagger that many fans love about 90’s rap. On this latest project, Criminal God Mixtape 2X, he respectfully puts his spin on classic hip-hop beats. While his rhymes are very impressive, the energy conjures with his voice &amp; delivery is hard to ignore. If you’re into nostalgic acts like Griselda or early Pro Era, you’ll fall in love &amp; definitely want to purchase this treat from Cosmo. Price (If You Choose To Buy): $7</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1620092406846-5XNM4YXJPNHNBEPIEK7L/a2915175719_16.jpeg</image:loc>
      <image:title>Wav.Max - Black Artists On Bandcamp You Should Support This Friday (May 2021) - 007Bonez</image:title>
      <image:caption>Last, we have an MF DOOM tribute project from the artist 007Bonez. The new project “One Beer Left” carries some traditional Hip-Hop elements from the Los Angeles native. Upon first listen, it might even be hard to tell he is from California due to it not having a signature West Coast sound. The sample chops here are beautiful &amp; Bonez sounds very comfortable as he rhymes thoroughly on each verse. It’s a great project to listen to in many different settings/contexts, and the wordplay is very solid. One of my favorite aspects is how varied &amp; relatable the subject matter is. Price (If You Choose To Buy): $7.99</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/michigan-boy-boat-lil-yachty</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-05-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1619218956939-C6WPQ241615BNRK1MTXF/MichiganBoyBoatReview.jpg</image:loc>
      <image:title>Wav.Max - Michigan Boy Boat - Lil Yachty</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1619219084952-R47D5JZ7SDMVLCN5DU7D/lfvtd85hbfit8ktqvbmf.jpg</image:loc>
      <image:title>Wav.Max - Michigan Boy Boat - Lil Yachty - Strengths:</image:title>
      <image:caption>The main highlight is how well Yachty uses the signature Flint, Michigan flow that has grown very popular in 2021. Some rap fans say that he sounds very off beat, but I’d argue that has really perfected the style. Plus, he’s stepped it up so much lyrically &amp; proves most of his haters/doubters wrong. Yachty stays true to himself &amp; while still coming off gangsta with metaphors like: “I’m Martin Luther in a room full of Malcolm X’s” Yachty’s unique vocal delivery is hit or miss for most people. On this project, Yachty does a good job at making his inflection sound less “goofy”. It results in his verses coming off as animated as the complimentary Detroit flow.Production wise you’re getting the signature Detroit style as well. Here’s a great video that breaks down the key elements to creating this type of production. There’s a number of captivating melodies on these beats too (Ex. Stunt Double &amp; Concrete Goonies). If Michigan Boy Boat was a group project, every feature deserves an A+ in my book. Yachty mainly brings a lot of native guests for the mixtape, and even Swae Lee comes through with some pretty catchy lines on “Never Did Coke”. Veeze is a show stealer &amp; still remains my favorite artist from this underground Detroit scene.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1619219175723-76ZAKMFE0W67OYRLKEZO/lil-yachty.jpg</image:loc>
      <image:title>Wav.Max - Michigan Boy Boat - Lil Yachty - Weaknesses:</image:title>
      <image:caption>I thoroughly enjoyed this mixtape, but there are some drawbacks I do have to acknowledge. Again I enjoy this style of rap, but I could see the “off beat” flow being a turn off for more traditional Hip-Hop listeners. Likewise, the production is very similar to each other &amp; would be an obvious negative for some people. There are also some questionable lyrics that do have to be highlighted. I don’t necessarily think they’re trash, but somewhat out of pocket: “Lately, I’ve been thinking bout putting my d*** inside Kali Uchis” Upon first listen, that specific line completely caught me off guard. I actually had to run it back a few times just to be sure it was actually said. Some of the lines are pretty hilarious too, to be fair. On “Ghetto Boy Shit” he raps: “This bitch could lay on her back and let her ass walk”</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/on-the-low-soleil-vkz</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-04-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1619104361174-KHQUESSTUWFT0963Q7V3/OnTheLowSoleil.jpg</image:loc>
      <image:title>Wav.Max - On The Low - Soleil &amp;amp; VKZ</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1619106020335-06A8HYUBVRQSMK94BT87/Soleil+-+Film.jpg</image:loc>
      <image:title>Wav.Max - On The Low - Soleil &amp;amp; VKZ</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1619105743124-LSZIM0TOENK3M28J9LNU/Soleil%252B-%252BPink%252B1.jpg</image:loc>
      <image:title>Wav.Max - On The Low - Soleil &amp;amp; VKZ</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/denzel-curry-albums-ranked</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-08-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1617856808112-YQS5RS2SCNM5XJ2QEDRY/DenzelCurryAlbumsRankedCover.jpg</image:loc>
      <image:title>Wav.Max - Denzel Curry: Albums Ranked</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1617856956032-TQEMSM6M74RKTMGMD8W5/201103-Denzel-Curry-getty.jpg</image:loc>
      <image:title>Wav.Max - Denzel Curry: Albums Ranked</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1617856999597-8KYJXIT5CVTAC8O40DLM/denzel-curry-new-5.jpg</image:loc>
      <image:title>Wav.Max - Denzel Curry: Albums Ranked</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/i-am-marlounsly</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-04-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1617685037074-P6OM0R4ZGSOOPL3L9THJ/IAmMarlounsly.jpg</image:loc>
      <image:title>Wav.Max - I Am - Marlounsly</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1617685156391-JT8S8SPTVZ4VCPRK9JQA/Marlounsly.jpg</image:loc>
      <image:title>Wav.Max - I Am - Marlounsly</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/whose-side-soleil</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1614783587949-5HAF8CMDXO91RM5AHFLP/WHoseSideSoleil+%281%29.jpg</image:loc>
      <image:title>Wav.Max - Whose Side? - Soleil</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1614784372900-BJY5FU6U8Z7D2U964TZ2/Soleil+-+Film.jpg</image:loc>
      <image:title>Wav.Max - Whose Side? - Soleil</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1614784452229-CZ5HNM4QQO69HHLX8ATW/Soleil%2B-%2BBW.jpg</image:loc>
      <image:title>Wav.Max - Whose Side? - Soleil</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1614784115510-TRAVQBJ8UF2004REQCSB/Soleil%2B-%2BNoise.jpg</image:loc>
      <image:title>Wav.Max - Whose Side? - Soleil</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/end-of-earth-ep-mavi</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-04-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1614113181241-DXNU8KR8C2DZNGW9QB8O/EndOfEarthMavi.jpg</image:loc>
      <image:title>Wav.Max - End Of Earth EP - Mavi</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1614113457761-YJJ7FNEHCVLHGW48Q16C/https___djbooth.net_.image_MTY3ODI0MjE5ODM1NDc1MjE3_mavi-interview-header.jpg</image:loc>
      <image:title>Wav.Max - End Of Earth EP - Mavi - Strengths:</image:title>
      <image:caption>This project tackles a lot of Mav’s current place in life &amp; personal reflections. His lyrics &amp; concepts are always very relatable &amp; empowering for young black men in this country. All of this while still being one of the best lyricists out. As far as his past, he recites a line about being bullied on Town Crier, and this line on Life We Live: “Gotta do a lotta squintin' at my past to like it” He delivers bars in the usual raw style fans have loved from the start. Mavi does sound noticeably more self assured &amp; confident, as his career has definitely level up to new heights. Flows come easy to the Mavi, as fits right into the best pockets across the project (Ex. Thousand Miles &amp; Life We Live). Occasionally rapping off tempo adds to the rawness &amp; emotion in his voice. Production wise, the mixes sound more polished than his previous releases. As usual, most of the beats are very sample based/driven. I’d say he showcases lots of versatility and experimentation in his beat selecting. A song like Methods, for example, features various trap elements: 808s, triplet hi-hats, etc.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1614113727630-53XCGER55CBDAGVOQMSP/ELM3HUtXUAIU13o.jpg</image:loc>
      <image:title>Wav.Max - End Of Earth EP - Mavi - Weaknesses:</image:title>
      <image:caption>I can genuinely say there aren’t really many glaring flaws on this EP. The Earl Sweatshirt similarities/comparison will always be an issue for some Hip-Hop fans, and it’s still the case here (despite leaning into his unique sound/background). In addition, I could see listeners that aren’t familiar with this style of instrumentation to find the project “boring” or become background music. The monotone delivery of this style doesn’t help with that potential gripe.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/top-10-mick-jenkins-songs</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1604688678957-LLNZEMCVQIF0K4CFDOS2/Top10MickJenkinsSongs.jpg</image:loc>
      <image:title>Wav.Max - Top 10 Mick Jenkins Songs (+Playlist)</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/wavmax-presents-where-love-go</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-06-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1612246075267-61RSSMJS0KDCGBZ92ICF/WhereLoveGO_+Playlist.jpg</image:loc>
      <image:title>Wav.Max - Alone On Valentines Day? A Playlist For The Heartbroken</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/gravity-brent-faiyaz-tyler-the-creator</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1612278569696-77EK02ZHU20N1ZMAGWRO/GravityBrentFaiyazTylerDJDahiReview.jpg</image:loc>
      <image:title>Wav.Max - Gravity - Brent Faiyaz, DJ Dahi &amp;amp; Tyler the Creator</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/lyrics-to-go-vol-2-kota-the-friend</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1611154037996-2CZKHWUD3KCKM7MT7W0M/LyricsToGoVol2KotaTheFriend.jpg</image:loc>
      <image:title>Wav.Max - Lyrics To Go Vol. 2 - Kota the Friend</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1611153858887-R27NWLAYB32NENZA471F/127909399_669268737284563_8997470693568510413_n-750x417.jpg</image:loc>
      <image:title>Wav.Max - Lyrics To Go Vol. 2 - Kota the Friend - Strengths:</image:title>
      <image:caption>This tape feels a lot more like a time capsule of the past year in Kota’s life. Specifically, he speaks on many of the new positive &amp; negative aspects with his newfound success. There are also a lot of references to Clinton Hill, Brooklyn like on the intro track (of the same name). His flows &amp; delivery is the standard laidback approach that we love. At times, Kota feels like someone we’re having a real conversation with. His lyrics are very self-oriented &amp; personal to his life/character. As mentioned in the intro, his writing feels very human &amp; relatable. An example would be these lines of Flowers: “Everybody want somethin' more/ Always looking for a fix when it's nothin' wrong/ She wish she had a fatter ass, I wish I was tall/ She feel like she need a tummy tuck and I ain't mad at all” Kota’s also known to be very introspective in his music. He gets very emotionally &amp; psychoanalytically honest with himself on songs like Emotionally Dumb &amp; Santa Barbara. The production you hear on this album is the typical chill/lofi sample beats that Kota has used throughout his discography. The chords on these beats are very vintage &amp; sound luscious (Ex. 200 Dollars).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1611153891052-RAKDYGQX81XJ53JBDEK8/kota-the-friend-lyrics-to-go_1580150069.jpg</image:loc>
      <image:title>Wav.Max - Lyrics To Go Vol. 2 - Kota the Friend - Weaknesses:</image:title>
      <image:caption>I actually don’t have too many real weaknesses towards this project. One critique I’ve always had with Kota is the lack of experimentation from his usual style (specifically with his flow &amp; delivery). The lyrics being so focused on Kota himself could be uninteresting to potential new listeners. Despite me acknowledging that most of his lyrics are about himself/his life, Kota does mention the idea of himself having narcissistic tendencies on the song Emotionally Dumb.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/drakes-rapping-ability-is-constantly-underrated</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1610561928125-MPNOHEFSSHR0G1U9AE1C/BestOfLyricalDrake.jpg</image:loc>
      <image:title>Wav.Max - Drake’s Rapping Ability Is Constantly Underrated</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/whole-lotta-red-playboi-carti</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1609270680141-VBERJN1KW7IXEDWN5XAT/WholeLottaRedAlbumReview.jpg</image:loc>
      <image:title>Wav.Max - Whole Lotta Red - Playboi Carti</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1609270760708-5LHFB7BSEP9F7JBMUT66/Carti-music-page.jpg</image:loc>
      <image:title>Wav.Max - Whole Lotta Red - Playboi Carti - Strengths:</image:title>
      <image:caption>As usual, Carti finds catchy flows that ride &amp; compliment almost every beat. Songs like “Beno!” showcase the traditional approach he takes when finding pockets. His delivery has evolved &amp; transformed though, as there is a lot of Carti’s new “Vamp Voice” (which sounds very punk, aggressive &amp; sloppy). This new sound leads to some interesting results like the vocals “Stop Breathing” &amp; “New Tank”. Despite this, the baby voice we all love is still present on the project. The song “Teen X” is the most extreme we’ve ever heard Carti’s vocal range reach. The vampire/rockstar/punk theme &amp; aesthetic work excellently with the music to create a unique listening experience. Topically, he sticks with the typical rap braggadocio, having women, being rich, etc. HOWEVER, I give Carti a lot of credit for sprinkling a few quotable lines throughout his simple/catchy song writing. “I just hit a lick with a mask, MF DOOM” He does delve a lot more into his personal life than usual on Whole Lotta Red as well. Specifically, he speaks on his older brother multiple times on the project like on “Die4Guy”. The song Punk Monk touches on several of his industry relationships &amp; opportunities. Lastly, the production on this album is EASILY the highlight of the entire project. If you love Carti’s music for the psychedelic/trippy/retro sounds &amp; bouncy 808 drums, then Whole Lotta Red will not disappoint (Ex. Slay3r &amp; all the CDQ versions of leaked songs). Additionally, there’s still a bunch of dark distorted anthems that eerily fit the punk, violent &amp; ghoulish atmosphere. Some of my favorite sounds include: Nightmare chords on Vamp Anthem (one of my favorites) Cudi’s hums + Carti’s ad-libs on Metamorphosis High pitch flute &amp; gated synth on ILoveUIHateU</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1609270795975-9UNBUCWJIYFR1DCL9C37/1_o4EBhUfJtOX9XUds_TOHJA.jpg</image:loc>
      <image:title>Wav.Max - Whole Lotta Red - Playboi Carti - Weaknesses:</image:title>
      <image:caption>Whole Lotta Red still has quite a few flaws. Carti still has lots of lyrics that are either filler and/or just completely random for the sake of rhyming. His simplistic style works extremely well in his discography, but at times it does lead to repetitive tracks such as “Jump Out The House” &amp; “No Sl33p” (yet, I still enjoy both). To add on, I think there are even moments on this album where he reminds me of other artists vocally. A few of his inflections are reminiscent of Young Thug, and his verse on Stop Breathing makes me think of Rico Nasty every time. All 3 features (Kanye, Future &amp; Kid Cudi) on the project left me disappointed &amp; were not very memorable, outside of Cudi’s hum being sampled. Future actually sounds okay, but he’s pretty much just following Carti’s lead stylistically on their track. In general, the album could’ve used more features to break up the tracklist (which really should have been shortened to way less than 24 songs anyways). The only other negatives I took away are minor. I think Carti could’ve leaned more into the vampire theme &amp; kept the entire album full of more dark hard-hitting punk tracks. A lot of leaks like “Molly”, “Kid Cudi/Pissy Pamper”, etc. were better than &amp; could’ve replaced the few weaker songs on Whole Lotta Red.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/cozy-clyde-talks-new-deluxe-album-pandemic-process-more</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1603499450630-X9VPP8ED7Y9FECSLKF6L/CozyInterview.jpg</image:loc>
      <image:title>Wav.Max - CozyClyde Talks New Deluxe Album, Pandemic Process &amp;amp; More</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1604514397811-O09T7I50KRZ28J0UVL4C/IMG_2876.jpg</image:loc>
      <image:title>Wav.Max - CozyClyde Talks New Deluxe Album, Pandemic Process &amp;amp; More</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1604514701113-OSO1EPRRP7YOGKJZWIC4/IMG_2897.jpg</image:loc>
      <image:title>Wav.Max - CozyClyde Talks New Deluxe Album, Pandemic Process &amp;amp; More</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1604514507145-1GYXSRS3JWI4KNX5XBF8/FullSizeRender.jpg</image:loc>
      <image:title>Wav.Max - CozyClyde Talks New Deluxe Album, Pandemic Process &amp;amp; More</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/hit-different-sza-ft-ty-dolla-ign</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-04</lastmod>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/niagara-red-veil</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1599141361897-TXF42IQR3SSAAZTVUGCF/NiagaraRedveilReview.jpg</image:loc>
      <image:title>Wav.Max - Niagara - Redveil</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1599141480023-JCR149IS1E5JQ2U6L5TB/tumblr_403fa6eec7079ca0d71394210b9343ff_552d1657_540.jpg</image:loc>
      <image:title>Wav.Max - Niagara - Redveil - Strengths:</image:title>
      <image:caption>One of my favorite things about Redveil is his versatility. He shows to be perfectly capable of flowing on more traditional Hip-Hop production &amp; the more modern trap style. The beats are primarily sample-based regardless, and there are many great beats (Ex. Fastlane &amp; Pigeonman). Redveil has a pretty chill &amp; subdued delivery throughout the tape. Even when harmonizing, he sounds good on almost each attempt. Still though, over harder beats he does up the energy. I like that he can rap well, but knows how to dumb it down if needed. His themes are usually centered around himself, the streets &amp; police brutality. On “Weight” he raps: “Now I got a lil older, no love for the system and I'm reaching bad for the grip now And it's really fuck twelve I done grown in my self to point I can see that they haters”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1599141556264-Z9VI4KEDOGRJ9K3BCRYZ/redveil.jpeg</image:loc>
      <image:title>Wav.Max - Niagara - Redveil - Weaknesses:</image:title>
      <image:caption>There really wasn’t much of anything I actually disliked about Niagara. One criticism I do see a lot is that he sounds like his influences. Specifically, it’s very easy to hear the Earl comparison in some of Redveil’s flows, rhyme patterns &amp; production choice. There are other songs that remind me of other artist’s though like Saba on “Drown” &amp; the intro track. The mixing is also spotty in some areas. Drown was the worst offender of this, where lines in the chorus get swallowed in the song’s instrumental. The only other critique I have is that the features didn’t catch my attention much. Junii &amp; Cameron Bolden were clear standouts for me, but none of the others were necessarily “bad”.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/hello-amine</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-21</lastmod>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/powered-up-earthgang</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-21</lastmod>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/new-music-friday-08-14-2020</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1597411463696-807C7H0RB97LIAH4734C/NMFAugust14th.jpg</image:loc>
      <image:title>Wav.Max - New Music Friday: 08/14/2020</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1597411748920-084F68O1EKH5811OGPJ2/daveeastkarma3.jpg</image:loc>
      <image:title>Wav.Max - New Music Friday: 08/14/2020</image:title>
      <image:caption>Teenage Fever - Kaash Paige Karma 3 - Dave East OBLIVION - Black Noi$e Platinum Falcon Returns EP - Guapdad 4000 Rich Slave - Young Dolph Now Or Never EP - Coi Leray</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1597411718774-31MA3IB7XOSZHJVC8R2Q/drake-lil-durk-laugh-now-cry-later-1597378077.jpeg</image:loc>
      <image:title>Wav.Max - New Music Friday: 08/14/2020</image:title>
      <image:caption>Laugh Now Cry Later - Drake (ft. Lil Durk) Powered Up - Earthgang Ultra Black - Nas (ft. Hit-Boy) So Done - Alicia Keys (ft. Khalid) Cut Em In - Anderson.Paak (ft. Rick Ross) Backstage Pass - Smino Crocodile Tears - Cousin Stizz Tip Toe - Sheff G &amp; Sleepy Hallow Lemonade - Internet Money (ft. Don Toliver, Gunna &amp; Nav) IPHONE - Rico Nasty Rainbow Bap - Jaden IRRESPONSIBLE - TOKYO’S REVENGE</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/focus-chillz-muzik</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1596912928761-WDGYQJSQ3PBJKC6FRQBS/FocusChillzMuzik.jpg</image:loc>
      <image:title>Wav.Max - Focus - Chillz Muzik</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1597165166700-XLI3B2SMV2897SIK18HB/0019877455_10.jpg</image:loc>
      <image:title>Wav.Max - Focus - Chillz Muzik</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/song-of-the-day-cereal-jid-idk-ft-kenny-mason-visualizer</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-10</lastmod>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/new-music-friday-08-07-2020</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1596816269544-41S6ZSS494EKBQ7L8K7G/NMFAugust7th.jpg</image:loc>
      <image:title>Wav.Max - New Music Friday: 08/07/2020</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1596818262970-UMPN2XY67Q1TK4LXYGFT/Amine_Limbo.jpg</image:loc>
      <image:title>Wav.Max - New Music Friday: 08/07/2020</image:title>
      <image:caption>Limbo - Aminé Top Shotta - NLE Choppa Trapped In Cleveland 3 - Lil Keed Lockdown (Remix Bundle) EP - Anderson.Paak Pray 4 Love (Deluxe) - Rod Wave God Is Watching - Craig Xen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1596818901201-HE4I0Z1AWSUY39I4E9H1/1596809909_e1f56d2e7241005ee6c8932563495b79.jpg</image:loc>
      <image:title>Wav.Max - New Music Friday: 08/07/2020</image:title>
      <image:caption>Cereal - JID &amp; IDK (ft. Kenny Mason) Smile - Juice WRLD &amp; The Weekend Money Maker - 2 Chainz (ft. Lil Wayne) Lemon - Conway (ft. Method Man) Afterlife - Flatbush Zombies WAP - Cardi B &amp; Megan Thee Stallion  Pinned To The Cross - Rick Ross (ft. Finn Mathews) Dr. Evil - Lou The Human Aquí Yo Mando - Kali Uchis &amp; Rico Nasty Move Ya Hips - A$AP Ferg (ft. Madeintyo &amp; Nicki Minaj) Big Steppa - Young M.A</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/best-of-july-2020-playlist</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1596736020651-XDLK7TN84UQE5PYMVO67/BestOfJuly2020.jpg</image:loc>
      <image:title>Wav.Max - Best Of July 2020 Playlist</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/song-of-the-day-grace-mercy-mick-jenkins</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-10</lastmod>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/is-it-that-bad-revisiting-the-big-day-by-chance</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1595839083596-2FITEIIV2DI2CJ4GPY4Y/RevisitingTheBigDay.jpg</image:loc>
      <image:title>Wav.Max - Is It That Bad? Revisiting “The Big Day” 1 Year Later</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1595839429650-KQ27KREZSDGD7CZV5717/Approved-Punkd-Chance-Photo-1472x1472.jpg</image:loc>
      <image:title>Wav.Max - Is It That Bad? Revisiting “The Big Day” 1 Year Later - Strengths:</image:title>
      <image:caption>The album definitely sounds like something that could be played at a wedding/family event. The songs mostly carry the same feel good &amp; uplifting vibe/tone; which gives the album character. You’ll hear lots of keys &amp; chords throughout the album, there are even some groovy drum patterns like on “Eternal”. A few of the trap songs on here end up being my favorites with the addition of the happy/feel good aesthetic. Specifically, Pierre’s spacey melodies + bouncy drums make up my favorite song &amp; beat on the album “Slide Around”. I’d like to express that themes/concept of the album really is not an issue at all. Chance sounds like he’s in the happiest place in his life; as he’s rapping about lots of self growth, positivity &amp; his wife/wedding. Best example: “Used to have obsession with the "27 Club/Now I'm turning twenty-seven, wanna make it to the 2070 club”. Since Chance didn’t focus on his rapping, a few of the features really do outshine him (Smino, DaBaby &amp; Taylor Bennett). That being said, the best rhyming on the album definitely comes from “We Go High”.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1595839505069-PFP8U9GDU5I1802H6UIJ/chance-the-rapper-review.jpg</image:loc>
      <image:title>Wav.Max - Is It That Bad? Revisiting “The Big Day” 1 Year Later - Weaknesses:</image:title>
      <image:caption>Outside of the positives I mentioned, the album really does have some questionable production choices. Chance barely fits on a song like “Roo” which sounds really outdated &amp; “Ballin Flossin” that sounds like kidz bop/mall shopping music. Even some of the mixes are not great, and beats like “The Big Day” take way too long to pick up. Outside of the beats, a lot of this album really does un-ironically sound like children’s music. I understand why he dumbed down his lyrics for an album like this, but some of the rapping is absolutely disappointing. On top of the lack of strong/memorable verses, Chance spits some of the corniest lyrics like “Treat the bad advice like bad breathe” or the entire chorus on “Big Fish”. Even the flows on The Big Day are unusually sloppy sometimes. Strangely too, Chance’s singing is noticeably worse (Ex. Let’s Go On The Run &amp; Roo”) &amp; his rapping delivery at times is more obnoxious. Outside of the few features I mentioned earlier, the rest are really unmemorable or just flat out not good. The length of the album itself is an entirely big issue, even with the lack of good features to break it up. Hot Shower is actually a song I enjoy, but it really does sound out of place with the album. Not just sonically, but even the subject matter is so vastly different from the core themes of The Big Day. However, it could be a representation of the “dance song” a DJ would play at a wedding to get everyone on the dance floor.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1595839546599-ZSD24WZ53R89ECFHMQB7/Chance-the-Rapper.jpg</image:loc>
      <image:title>Wav.Max - Is It That Bad? Revisiting “The Big Day” 1 Year Later - Is It Really That Bad?:</image:title>
      <image:caption>So I’m not going to lie, it genuinely isn’t a good album in my opinion. I think if you replaced Chance &amp; had any other rapper perform these, it would still be just as bad (and maybe worse tbh). However i think there is some unfair criticism when it comes to the subject matter. Upon release, I remember everyone mainly trashing the album for being about his wife &amp; wedding. I think we all remember the “I Love My Wife” meme that went viral. But this criticism is so unfair to me now, as there are plenty of amazing rap songs about the same subject. That’s just the surface level though, as it really does all boil down to the execution. The album just isn’t good both sonically &amp; lyrically. For a debut album, it actually sounds like there was a lot less passion/effort put into it (compared to the actual budget). Additionally, I do see how the subject matter being so personal &amp; specific to Chance would turn people off. I can say it does make the album hard to relate to if you’re not in a similar position. Regardless, this album is below even the average of expectations &amp; Chance’s standard of quality</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/first-impression-on-j-coles-lewis-street-singles</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1595523139741-8LA75N5SFKRJ7ZG2PHRH/LewisStreetJColeReview.jpg</image:loc>
      <image:title>Wav.Max - First Impression On J. Cole’s “Lewis Street” Singles</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1595525211916-DZMIFRBGR2RAQDLFXPY4/a0ce48_6d023fc460194a6b9829e3c5aac63ae9_mv2.jpg</image:loc>
      <image:title>Wav.Max - First Impression On J. Cole’s “Lewis Street” Singles - The Climb Back:</image:title>
      <image:caption>Definitely my favorite between the two, as Cole gives some of the best rapping he’s done in recent years. There’s a lot of charisma in his flows and the delivery on here sounds like he’s hungry AF. Lyrically he’s pretty solid, however one of my favorites had to be: “And you'll see how I flipped like exclamation points”. I do love the outro as well, but admittedly his singing still isn’t the greatest lol. It’s 5 minutes long, but doesn’t really feel like it by the time the track ends. Also, this is EASILY one of the best beats Cole has made. The stretched vocal sample in the background sits perfectly between the deep 808 bass &amp; rest of the percussion. Honestly sounded like it could’ve had a Cozz feature. Lastly, I have to acknowledge the Chief Keef (one of my favs) shoutout: “Address me as the G.O.A.T. like they call Chief Keef Sosa”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1595525596023-08I2CAYQ556OPGXJ3PIT/Untitled-design-51.jpg</image:loc>
      <image:title>Wav.Max - First Impression On J. Cole’s “Lewis Street” Singles - Lion King On Ice:</image:title>
      <image:caption>Cole, T-Minus &amp; Jetson provide another amazing beat for Cole. I noticed that both songs feature beats with stretched out vocal samples over trap drums. It’s really cool to specifically see Jetson stepping out of his comfort zone as a producer. Cole flows effortlessly over this one, and some how keeps a chill vibe in contrast to his fast/rapid fire flow and delivery. I can see Lion King On Ice becoming my favorite of both singles over time. Some themes present here are a lot of self reflection &amp; reminiscing on his life/career (growing up with nothing, becoming successful, then learning about himself/spirituality). Even outside of himself, providing some commentary on the current rap game. Me and other fans are convinced Cole took shots at Lil Pump (or just “mumble rappers” that dissed him) with lines like: “I hope that you see how they came and they went/They shots never hit, but they made they attempts/May have a good year like that name on the blimp”</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/just-got-put-on-to-kaash-paige-now-im-hooked</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1595435740494-XHTB8X9EIS0LF4RZ7U7P/JustGotPutOnToKaashPaige.jpg</image:loc>
      <image:title>Wav.Max - Just Got Put On To Kaash Paige… Now I’m Hooked</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1595443408063-BAS6S1QR90NQKR5YOLER/media-8.jpg</image:loc>
      <image:title>Wav.Max - Just Got Put On To Kaash Paige… Now I’m Hooked - Brief History:</image:title>
      <image:caption>Kaash is 19 years old &amp; was raised in Dallas, Texas. Her career started in high school with some releases to her Soundcloud account. Things began to really take off last year however, as her track “Love Songs” started to gain large amounts of streams/traction. Now, she’s signed to Roc Nation. The singer has also cited lots of different influences to her style: Erykah Badu, Isaiah Rashad, SZA, and more.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1595444169888-Q7D0X6HUZ3RP1QV0Z2NJ/e9da91820145c2cd31033fbefe286d0005da75ec7bd69a3123daafaac36f3ebc.jpg</image:loc>
      <image:title>Wav.Max - Just Got Put On To Kaash Paige… Now I’m Hooked - Themes/Style:</image:title>
      <image:caption>Love seems to be a common theme in her music, but she’s shown to get creative with her song concepts. One of her recent singles “Frank Ocean” (inspired by Frank’s hit song “Thinkin Bout You”) is really dope because of how Kaash cleverly references Frank’s work throughout the song. Another on of my favorites is “Happy Song” which is written as a response/counter to her own depression. Her vocals are usually soft, subdued &amp; soothing. I’d say it reminds at times of other great R&amp;B artists like SZA, Jhene Aiko and even a little Dej Loaf. She always choose beats that compliment her delivery well, and I love how she doesn’t smother her voice in autotune like other modern R&amp;B artists. “Sobriety” is another favorite of mine as it’s the highest pitch I’ve heard her reach in her music thus far, yet isn’t annoying/nasilly.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1595445068914-T55W8UMPEHO3ZN3FK271/b84e6dee00986816d58028972e26229e.940x940x1.jpg</image:loc>
      <image:title>Wav.Max - Just Got Put On To Kaash Paige… Now I’m Hooked - Beat Selection:</image:title>
      <image:caption>Un-ironically, the best way I’d describe Kaash’s music is a “vibe”. A lot of that does comes from the spacey/atmospheric/druggy instrumentals she performs over. Outside of this common aesthetic though, she’s proven to be pretty versatile on many different kinds of beats. While songs like the previously mentioned Sobriety are more chill neo soul inspired cuts, other songs like “WMT” &amp; “Orange Sweater” have more modern &amp; psychedelic in nature. Some common sounds you’ll here are reverbed guitars, trance-inducing synths, electric piano chords, etc. Instruments/sounds like these serve more as a compliment to her vocals as they work in unison. Neither overpower or takeaway from each other, which is what makes the dreamy and atmospheric aesthetic I love about her music.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/amine-compensating-ft-young-thug-visual</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-10</lastmod>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/smino-jid-kenny-beats-baguetti-anime-visual</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-10</lastmod>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/kaash-paige-happy-song-visualizer</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-14</lastmod>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/monte-booker-smino-kolors-visual</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-10</lastmod>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/fly-god-is-an-awesome-god-2-westside-gunn</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1593910392507-I3R4NZG1OF2C8VPW8X75/FlyGodIsAnAwesomeGod2WestsideGunnReview.jpg</image:loc>
      <image:title>Wav.Max - Fly God Is An Awesome God 2 - Westside Gunn</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1593911552580-2U17RKQ2JON05N0ZJC53/Westside-Gunn.jpg</image:loc>
      <image:title>Wav.Max - Fly God Is An Awesome God 2 - Westside Gunn - Strengths:</image:title>
      <image:caption>Westside comes through with the usual themes of gangsta/street topics seen in what many now call “coke rap”. I always liked how his lyrics seem to be more focused on the imagery they paint in hard rap lines, which is an undervalued form of creative lyricism. I also have always been a fan of his nasally-high pitched vocal delivery (and ad-libs), as it always made him standout on a track. The production here is the usual grimy'/gritty sample based beats for the most part. The sample choices themselves really give this album and Westside’s other work a very “artsy/renaissance” aesthetic; that beautifully contrasts his voice and violent subject matter (For example: “Michael Irvin”). Songs like “Rebirth” showcase how Westside’s flows really fit into the pockets of these samples as well. Lastly, I actually was pleasantly surprised by the features on this album. I enjoyed almost all of them, and I actually was not familiar with most of them until this album. My favorite had to be Stove God Cooks who’s entertaining delivery stood out on songs like “Bubba Chuck”.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1593911707059-HHXVL5891OOGRNYHBD5L/westside-gunn-flygod-promo.jpg</image:loc>
      <image:title>Wav.Max - Fly God Is An Awesome God 2 - Westside Gunn - Weaknesses:</image:title>
      <image:caption>So the only song I can say I actually did not like at all was “Drive By Love”. No disrespect, but I genuinely can’t tell if Westside was trying to make a serious romantic song or not. The vulgar lines are just delivered very awkwardly, and some of these lines by themselves are just really forced and corny in my opinion. I can respect the change in subject matter though, and I did find some comedic value in how awkward the song was to listen to. To be fair, it could also just be that a song like this is coming from Westside Gunn’s tough guy perspective. Outside of that specific song, I really don’t have too many other negative takes on this project. There were a lot of features though, and I did finish the project wanting to hear more solo Westside tracks. I think i also just wish there were more tracks in general, as a lot of the tracklist is skits. These are just minor gripes however. You could also complain that Westside isn’t pushing his own boundaries or trying different sounds here, but I don’t necessarily mind the consistency of Griselda’s style/sound.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1594143516512-ADK8CHF8EMWPSRKM1RVO/ED003_SOCIAL_GRISELDA_5.jpg</image:loc>
      <image:title>Wav.Max - Fly God Is An Awesome God 2 - Westside Gunn - Other Thoughts:</image:title>
      <image:caption>I feel like the “Praise God Intro” really sets the tone for this project. Honestly, I think it perfectly describes Westside and the rest of Griselda’s place in the music industry right now; essentially being that they probably are the start of a Hip-Hop renaissance that will only continue from now on. I can’t confidently describe the renaissance myself, but my interpretation is that it’s one of substance, lyricism, competition, etc. Essentially, the core elements that made up the foundation of the genre instead of whitewashed materialism that can be found in new forms/artists/styles in the genre. But, that’s simply just my perspective/idea.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/tobi-lou-lingo-starr-return-of-the-dragon-visual</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-10</lastmod>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/joshua-j-hands-on-visual</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-10</lastmod>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/best-of-june-2020-playlist</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1593633199895-E0QZDX5NF2V1LULZMMBY/June2020Playlist.jpg</image:loc>
      <image:title>Wav.Max - Best Of June 2020 Playlist</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/top-5-singles-2020-so-far</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1593634142148-3AQ4L1O3XD1WTKMLVYZ1/Best2020SongsSoFar.jpg</image:loc>
      <image:title>Wav.Max - Top 5 Singles: 2020 (So Far)</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/earl-sweatshirt-sunday-ft-frank-ocean-visual</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-10</lastmod>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/do-we-really-need-deluxe-albums-in-2020-hip-hops-latest-trend</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1593545599978-PID5FI17OYVTRYEI8QTT/DeluxeAlbums.jpg</image:loc>
      <image:title>Wav.Max - Do We Really Need Deluxe Albums in 2020? Hip-Hop’s Latest Trend</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1593546158201-3LALVJADC0IH77RAQL1Y/61e5672472875cc0c9211e89eaa01d41.800x800x1.jpg</image:loc>
      <image:title>Wav.Max - Do We Really Need Deluxe Albums in 2020? Hip-Hop’s Latest Trend - ROTD3 Method</image:title>
      <image:caption>Revenge of the Dreamers 3 is the album everyone loved last year; even getting a Grammy Nomination. It wasn’t surprising that they released a deluxe edition of the compilation album. This method of deluxe albums is the industry standard: Add a bunch of bonus songs to the end that didn’t make the original album. It’s a pretty simple, generic and straight forward format However, this is a deluxe album that I actually enjoyed &amp; felt was VERY necessary. The difference here is that fan’s already knew (and heard snippets) of songs from the mysteriously legendary Dreamville sessions &amp; documentary. Labeling the deluxe version as a “Director’s Cut” works well as clever marketing &amp; as a gift to the fans that didn’t hear their fav collab on the original.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1593546608062-DJYRF5PKPLHI5UUOGQ7H/253905-artist-20-deluxe.jpg</image:loc>
      <image:title>Wav.Max - Do We Really Need Deluxe Albums in 2020? Hip-Hop’s Latest Trend - A Boogie Method</image:title>
      <image:caption>So, this method of deluxe album formatting is the same as the previous, EXCEPT the bonus songs appear at the start of the album ahead of the original tracklist. I used A Boogie’s “Artist 2.0” album as an example, but this method is interestingly becoming more popular than having the bonus songs at the end. This method works well for sales since people will be streaming the Deluxe version for the new songs anyways. The risk with this is that deluxe songs are usually filler &amp; throwaways that didn’t make the original tracklist. This applies with Artist 2.0 as the bonus tracks are subpar compared to the actual album (which isn’t saying much).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1593547115742-HAGV5C0NRTZR20NT5KAV/gl9m731jlnm41.jpg</image:loc>
      <image:title>Wav.Max - Do We Really Need Deluxe Albums in 2020? Hip-Hop’s Latest Trend - Lil Uzi Method</image:title>
      <image:caption>Of the methods covered so far, this is by far the most creative &amp; successful I’ve seen in the streaming age. Uzi decided the deluxe version of his album “Eternal Atake” would be an entirely second project titled “LUV vs. The World 2”. It has a mostly distinct sound from EA sonically and appears before the OG tracklist, like A Boogie’s. Artist’s in the past have used free mixtapes as deluxe songs (Ex. J Cole with “Born Sinner”), but this is different because it’s a brand new album (the album fans really wanted) only week after Eternal Atake dropped. It also is genius marketing for the labels because they don’t have to promote it as a new album (which saves them money).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1593547779454-IY4ESUO6LPBXDWYBC3P4/7de511cbc673cf890f073f7b588f2cbc.1000x1000x1.png</image:loc>
      <image:title>Wav.Max - Do We Really Need Deluxe Albums in 2020? Hip-Hop’s Latest Trend - Moneybagg Method</image:title>
      <image:caption>Last, but not least, we have the only unique method I’ve seen so far. Not really a fan of Moneybagg or his album “Time Served”, but I give his team props for mixing the new deluxe songs in with the original tracklist. The deluxe albums we covered so far either have the bonus songs at the start or end of the record. I don’t think it’d be great for all artists, but this method increases the guarantee that new listeners will listen to the entirety of both the old and new songs. It definitely would confuses returning listeners that are accustomed to certain track numbers matching certain songs, but outside of that it’s a refreshing way to handle a deluxe album.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/smino-wild-irish-roses-visual</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-10</lastmod>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/black-artists-on-bandcamp-you-should-support-tomorrow</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1592488325016-YP58R8QXMO8DNGSN07W7/BandcampArtists.jpg</image:loc>
      <image:title>Wav.Max - Black Artists On Bandcamp You Should Support Tomorrow</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1592488831619-13Z3Q0ZN3BCBLXUDTXXF/a0046958068_16.jpg</image:loc>
      <image:title>Wav.Max - Black Artists On Bandcamp You Should Support Tomorrow - KONG</image:title>
      <image:caption>Here we have a talented rapper from St. Louis. KONG was the first artist I found out of the group I picked for this list. His pair of most recent releases, Ozone/Kick, were great to me off first listen. The first song has a traditional chill-sample hip-hop beat where dude is launching nice rhyme schemes. The other is an stripped-back ethereal track where KONG displays a softer and lighter singing vocal tone, along with interesting percussion elements. I’d recommend if you like a versatile artist that can make both great rap &amp; R&amp;B. Price (If You Choose To Buy): Name Your Own Price | This means you can purchase the project for whatever amount you choose to support with.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1592488976264-ABYU53PW350S7R5CUDR9/a4065067573_16.jpg</image:loc>
      <image:title>Wav.Max - Black Artists On Bandcamp You Should Support Tomorrow - Gios4ma</image:title>
      <image:caption>Gio’s music is probably not for the casual music fan/listener. He’s a rapper/producer from Jackson, Mississippi. I discovered him from his 2019 project Octopi_. The very first observation I made was how experimental and weird his style is. The beats are all glitchy, unpredictable, abrassive, etc. Throughout the beautiful madness of the various production styles, Gio crafts dope flows &amp; has plenty of versalitiy. If I could compare his style to anyone’s I’ve heard, I’d say you’d enjoy his work especially if you’re a JPEGMAFIA or Injury Reserve fan. He’s 100% his own unique artist with a good sound. Price (If You Choose To Buy): $8</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1592489000982-J9AGJUMSDYDX9HN1XO2C/a4253419666_16.jpg</image:loc>
      <image:title>Wav.Max - Black Artists On Bandcamp You Should Support Tomorrow - IllaThnMst</image:title>
      <image:caption>This spot is actually the only Producer/Beat Maker on this list. Illa is a California native that’s a large number of lofi beats. I found and listened to his album Nimbus. I believe all the beats on here contained samples, if so they were chopped pretty clean and nicely. Many anime fans will instantly recognize the Dragon Ball Z references in the title/cover art. The entire instrumental album is actually a tribute to the iconic and impactful anime series. This is made even more obvious by the song titles, and the audio clips from the anime serving as skits in-between songs. Somehow, every single one compliments the previous and follow lofi beats very well. Price (If You Choose To Buy): $2</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1592489094777-599RUIA53UPUGS4M1NZB/a3466635410_16.jpg</image:loc>
      <image:title>Wav.Max - Black Artists On Bandcamp You Should Support Tomorrow - Kay Young</image:title>
      <image:caption>Last, we have the London rapper Kay Young. She is an incredibly talented rapper/singer, who shows off both of these skills on her latest project: Actually. Her beats are dreamy, smooth and groovy, with elements of jazz and lofi hip-hop (Mick Jenkins or Kendrick [TPAB era] would sound great as features on any of these). All of the beats are high quality and everything sounds very professionally mixed. The bass-lines on tracks 2 and 6 are addicting. Kay’s rapping is very relaxing and calm. Her singing to me was even more impressive; with a style that’ll give any first timer a beautiful listening experience. Price (If You Choose To Buy): £6 = ($7.45)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/the-controversy-behind-j-coles-snow-on-tha-bluff</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1592404154472-NHUI1GWL8E7TSXIXOQTO/ColeControversy.jpg</image:loc>
      <image:title>Wav.Max - The Controversy Behind J. Cole's "Snow On Tha Bluff"</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1592404425961-G17336QTN8031OHSF5Y8/J_Cole-Gallery-3.jpg</image:loc>
      <image:title>Wav.Max - The Controversy Behind J. Cole's "Snow On Tha Bluff" - The Why:</image:title>
      <image:caption>So what exactly is the issue with this track? Well many fans and critics have pointed out flaws in Cole’s lyrics. But I’d say the main argument is that he acknowledge’s the woman as being smart, but then follows up by judging her tone, approach, etc. “So when I see something that's valid, I listen/ But shit, it's something about the queen tone that's botherin' me” One could say that Cole himself almost had a condescending tone, which I can see. It’s also brought up that Cole doesn’t provide an alternative to her solution, just criticism. He usually does drop pretty reflective and impactful songs during times of hardship (Ex. Be Free). So, it was pretty surprising to see him come at someone’s approach/message, instead of constructively sharing his own in a song. To be fair though, when looking at some of the other lyrics in the song, he’s also claiming to not be the deepest person or have all the answers. It’s somewhat like he’s saying the fans/people are putting him on a pedestal that he never thought of himself being on. He just shares his honest thoughts/feelings on very deep topics. Observing the world, would be a good way to describe his approach to these topics in my opinion.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1592404634888-4666SHG8UO5HX0929F9L/StFelix-Noname.jpg</image:loc>
      <image:title>Wav.Max - The Controversy Behind J. Cole's "Snow On Tha Bluff" - Who “She” Is?:</image:title>
      <image:caption>Okay, so this is the actual main point of controversy. When looking online and at the song’s lyrics, many have pointed to Noname, established Chicago lyricist, as being the person J. Cole had in mind while writing. It is very odd if Cole was addressing her, specifically because he’s a lot more successful and famous (with a very big stan base). I definitely think people have a fair reason for being upset with him potentially directing the first half of lyrics at her. Noname is someone that is very blunt, honest, and unapologetic in the way she delivers her ideas on many issues. Recently, she’s been getting attacked on Twitter for sharing anti-capitalistic ideas, criticism of black artists not leading, etc. Whether you agree with her or not on this things, she still has a right to express her opinion. In a country where black woman get very limited respect and go unheard, it’s empowering to see many now use online platforms to express themselves. While I don’t think Cole meant to play into the “angry black woman” stereotype, he unfortunately did. Personally, I didn’t enjoy how he assumed what her upbringing must’ve been like based on her tweets. If it was an a fictional person for a narrative, it’d be different. Cole does admit that she probably has more knowledge than him on the country’s major issues. The song probably would have hit better if he explained/criticized more of what he doesn’t agree with instead of the way she delivers her ideas.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/i-love-you-say-it-back-key</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1592324579337-TB9HEO5BPIS7BTQ76MDB/ILoveYouSayItBackKey%21Review.jpg</image:loc>
      <image:title>Wav.Max - I Love You Say It Back - Key!</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1592326232998-XK05UE6ALO5CK3C1LA6K/062519-KEY-Instagram.jpg</image:loc>
      <image:title>Wav.Max - I Love You Say It Back - Key! - Strengths:</image:title>
      <image:caption>My favorite aspect of Key!’s music is how loud and expressive his voice is. His delivery always has a lot of personality. The versatility in the way he manipulates how he sounds almost always sounds good. He always has a decent variety of catchy flows and melodies he can use depending on the song. As you the album title might suggest, the subject matter consists of themes like love, heartbreak, Key!’s lifestyle, and romance/lust in general. The only feature is Bobby Raps; who gives an anthemic chorus on the song “Boys Dont Cry”. Lastly, the production on this album sounds a bit more quality/high budget to me than his other recent ones. The beats are all mostly well mixed, and there’s a variety of styles/moods. I always thought Key! sounded best on bouncy trap drum patterns; similar to songs like Sugar &amp; Rice and Let’s Go. Most of the melodies on this album are retro, synthy and atmospheric. Some of the songs even gave me Kanye/Travis vibes (“Anakin” &amp; the intro song).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1592326281754-4R52MS3J9OSF88S2I1AO/11775.jpg</image:loc>
      <image:title>Wav.Max - I Love You Say It Back - Key! - Weaknesses:</image:title>
      <image:caption>The few weaker moments/elements on this album take a lot away from the great performance and versatility from Key!. I do know this style of music isn’t lyrically focused, so this first point doesn’t bother me too much. But, Key! has some basic lines mixed in with his catchier/wittier ones. His delivery and flow make up for this usually, but a song like Out The Way has lines like: “N***** don't want beef like it's Five Guys/ Five Guys, Five Guys” sound like filler from the uninteresting vocals. There are times when Key!’s vocal performance is more interesting to me than the beat (Ex. “First Date”), even though most of the beats are solid. However, despite his versatility, Key! doesn’t sound great on every beat. Especially on the song Spend One Night which also is the cringiest display of this album’s themes. These issues are mostly common in the last three songs of this 10-track project (with a run time of 24 minutes). Better track listing/sequencing would’ve done justice to the potential of this album in my opinion.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/end-of-daze-spillage-village</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1592238104741-O3C8W5XVPSFTYEAGXKR9/EndOfDaysSpillageVillage.jpg</image:loc>
      <image:title>Wav.Max - End Of Daze - Spillage Village</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1592238524627-E9TNYZ6WL9M5N9O002YQ/4ff78aedf33315fdac64904869f0fe74.706x706x1.jpg</image:loc>
      <image:title>Wav.Max - End Of Daze - Spillage Village - Strengths:</image:title>
      <image:caption>Everyone gives amazing verses that are descriptive and fit the songs themes. Each Spillage member has a unique style individually, which makes none of the verses sound similar/repetitive. The different flows actually bring a lot of variation to the song. The beat itself is groovy but has a gloomy vibe which captures the “end of the world” aesthetic. The eerie guitars playing throughout the song add to the atmosphere, and the bass line is pretty strong. Topically, each member of this song detail the world ending and what they’d be doing/around at the time. It’s a pretty creative idea that definitely reflections real life for many now. The chorus has lines about fires ablaze and god’s presence leaving the world. Alternatively, since the song title plays on the words “days” and “daze”, it could be a metaphor for the end of the illusions set upon many. I liked everyone’s verses almost evenly, but I do want to highlight Mereba’s specifically. I wasn’t expecting her to give a rap verse (which was melodic), but that along with adding that with lyrics like: “It's been like apocalypse since I was on the teat/Reagan worked for Satan how he preyed upon the meek” make her verse a powerful standout.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1592238680040-Z701QZ6GX3MEEQ4QSHT1/A1bFMJGrapL._SS500_.jpg</image:loc>
      <image:title>Wav.Max - End Of Daze - Spillage Village - Weaknesses:</image:title>
      <image:caption>There really aren’t any major weak points about this song. However, it’s a longer song with a slower pace. As mentioned above, each of the member’s unique styles add variation to the song. The drum pattern of the beat though is essentially the same for a majority of the time; which does get slightly old by the end. There are a lot of different rappers, so I do understand that the beat has to be stripped back enough for everyone to find a pocket. This wasn’t something I felt during my first impressions though. After the first few listens is when I found myself getting distracted sometimes while listening. Nothing about that makes this song bad by any means, but I’m not sure how often I’ll return to the single (at least the full duration). But other than that personal gripe, it’s a very well executed song idea.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/top-5-albums-of-2020-so-far</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1591904888670-EBN2RK5WV9TPR7JML1WD/TopAlbums2020SoFar.jpg</image:loc>
      <image:title>Wav.Max - Top 5 Albums: 2020 (So Far)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1591897508796-9YSR96DIY7OJXZJAGUBC/443e77c3001354ca00b1759d76881bec.640x640x1.jpg</image:loc>
      <image:title>Wav.Max - Top 5 Albums: 2020 (So Far) - 5. LU LU - Conway &amp; The Alchemist</image:title>
      <image:caption>I’m sure there’s at least one Griselda member in everyone’s lists right now. Both Conway &amp; The Alchemist come together for an incredibly concise and complete body of work. The Alchemist comes through with menacing sample-based production that perfectly fit Conway’s street perspective and gangsta rap lyrics. Conway brings incredible wordplay and imagery that flow well along every beat. It wasn’t my favorite or most revisited album this year, but there aren’t too many flaws I had with it. If you love authentic gangsta rap and dark samples, this was made for you.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1591897608360-9KNFMRXRE6NP2Z4G7ZMC/KOTAtheFriend.jpg</image:loc>
      <image:title>Wav.Max - Top 5 Albums: 2020 (So Far) - 4. Everything - Kota the Friend</image:title>
      <image:caption>Kota dropped probably the most chill and laid back album of the year so far. It completely lived up to his last 2 projects and has all the great qualities you’d look for in Kota’s music. It expresses the state of staying positive and accepting of life’s balance. The samples and melodies give the album a “feel good” vibe/aesthetic. This, along with bouncy drums and nice lyrics, gives this album an easy listening experience. You can read more of my thoughts in my review.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1591897816834-ITWN38Q0JDDKMKR3W7L4/81dFXrhT2hL._SL1200_.jpg</image:loc>
      <image:title>Wav.Max - Top 5 Albums: 2020 (So Far) - 3. UNLOCKED - Denzel Curry &amp; Kenny Beats</image:title>
      <image:caption>This collab project was a pleasant surprise for fans of both rapper Denzel Curry &amp; producer Kenny Beats. Kenny gives Denzel amazing beats filled with clean chops and dusty boom-bap drum patterns. Denzel spazzes over every beat showcases different flows that fit the pocket perfectly. What’s more impressive is that Denzel apparently freestyled the entire project (which itself was made in an extremely short span of time). If the album itself wasn’t enough, they gave us an incredible visual narrative that really completes the body of work. It wasn’t a perfect project (repeated lyrics for example from Zel freestyling) but still one of 2020’s best.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1591897897460-261SC0B1UW05BWB9DDR1/65fa2295b92218e5c10cbed945537758.1000x1000x1.jpg</image:loc>
      <image:title>Wav.Max - Top 5 Albums: 2020 (So Far) - 2. F**k the World - Brent Faiyaz</image:title>
      <image:caption>Unintentionally is the only R&amp;B album on my list, but I think more will make my year end list. Regardless, Brent Faiyaz being #2 on this one is well deserved. He proves on this album to be one of the most interesting and mysterious new school R&amp;B artists. I always liked Brent, but I never loved his work until the 2 singles that were released leading up to this album: Summer In London &amp; Rehab (Winter In Paris). He authentically sings about himself and lifestyle with a voice that’s very soothing to the soul. The production is also really atmospheric and “lowkey”, which adds to the albums overall aesthetic.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1591898037858-8ZHR1U2GKZ816K5CF3SX/prayforparis.jpg</image:loc>
      <image:title>Wav.Max - Top 5 Albums: 2020 (So Far) - 1. Pray For Paris - Westside Gunn</image:title>
      <image:caption>This and Brent’s album were VERY difficult for me to choose between. However, Westside Gunn edged out on top while listening to these albums in preparation for writing this ranking. Similar to Conway’s LU LU (and Griselda’s overall music), Pray For Paris features grimy, menacing and quality gangsta rap lyrics and themes. Westside has always been my favorite Griselda member due to his uniquely high pitched voice that he still manages to sound as vicious and real as his bars. His ad-libs are also really catchy, captivating and add to the overall imagery. I think this album also has some of the best production this year with some beautiful and dark samples/instrumentation.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/otherside-of-america-meek-mill</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1591719670906-IYN021BX3UZ5RPCY5YXH/OtherSideOfAmericaMeekMill.jpg</image:loc>
      <image:title>Wav.Max - Other Side of America - Meek Mill</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1591722979251-1J7N2R6Q6L2JSIUW9NOZ/e6eadee740cc21d62469fab1d57a5c56.jpg</image:loc>
      <image:title>Wav.Max - Other Side of America - Meek Mill - Strengths:</image:title>
      <image:caption>Off the bat, I wasn’t expecting a high energy banger but I’m 100% not disappointed about that. The production on this single features hard trap drums and an insane string sample, perfect for his style. I especially like how punchy &amp; bouncy the kick drums are. I also love the samples at the beginning (Trump) and end of the record (TV interview of his) that adds on to the lyrical themes present. Meek uses one his signature flows while rapping about his perspective growing up in the dangerous projects of Philly. He really uses the lyrics to paint imagery and his loud delivery adds to the overall energy of the beat. The chorus serves as his explanation on why things are the way they are on the oppressed side of America. Reasons for the dangerous lifestyle painted in the verses include: anxiety, ptsd, fighting hunger &amp; being surrounded by violence/death of loved ones.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1591723033817-HX26QRBAKBRH9P2D6IC7/Meek-Mill-feb-2-2020-a-billboard-1548-1585231677-1024x677.jpg</image:loc>
      <image:title>Wav.Max - Other Side of America - Meek Mill - Weaknesses:</image:title>
      <image:caption>I genuinely really loved this song. My only thing is, I wish he went deeper on the reasonings behind why projects (and those trapped in them) are the way they are. Yes, he gives good explanations/reasonings, but the ones he presents have even more underlying issues that stem from the American system we live in. I cite this as a weakness not against Meek Mill specifically (because I understand the message), but I can see how the message of the song could be misinterpreted as justifications for a crime in systematically oppressed neighborhoods. Many already look at the surface level and think minorities create these problems for themselves; which is not the case at all.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1591721086006-MIVVIGBB6QIPB5ZWBU9E/AP_19205539202637-768x512.jpg</image:loc>
      <image:title>Wav.Max - Other Side of America - Meek Mill - Other Thoughts:</image:title>
      <image:caption>I’m not sure where/when the picture for this cover art was taken but it’s FIRE (no pun intended) and perfectly fits how the song sounds. Additionally, if you’re not a Meek fan this probably won’t be for you as it’s definitely a song formula that Meek uses often. Although, the themes and message of the song might make this one an exception for his “haters”.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/now-more-than-ever-ep-flatbush-zombies</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1591629096991-F5WWP2T7DRCLES8FT7NL/NowMoreThanEverFlatbushZombiesReview.jpg</image:loc>
      <image:title>Wav.Max - Now, More Than Ever EP - Flatbush Zombies</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1591630674518-TUKKQ6ABQIJBDPBFX3TS/flatbush-zombies-16.jpg</image:loc>
      <image:title>Wav.Max - Now, More Than Ever EP - Flatbush Zombies - Strengths:</image:title>
      <image:caption>As expected, the group comes through with bars on this EP. The best example of their rapping ability is on the track “Dirty Elevator Music” where their flows fit well &amp; Meechy specifically has an incredible rhyme scheme throughout his verse. The group’s flows vary across the 6 songs and the project itself is balanced out with catchy bangers &amp; choruses. The most notable being the intro song “Herb” that is another favorite of mine. There’s a mix of themes present on this project. On most of the harder songs, you’ll here them boasting more than the others. There’s a lot of introspection in the tracklist too as there are heavy themes of death on a lot of the songs. Whether it be showing love to fallen friends, how they want others to remember them, etc. “Quicksand” cleverly is a metaphor for falling into more negativity as you go deeper within your problems/struggles. To add on, Flatbush Zombies are known for having some uniquely weird deliveries and cadences. Meechy to be has the best and most dynamic voice out of the group (and the current rap game). Outside of rapping, Erick is behind on all of the beats here and does a great job making really trippy melodies. I especially love the reverse sample &amp; piano keys that blend beautifully on Dirty Elevator Music.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1591630489485-S6I40WIWZVEXTUSYKR1L/flatbush-zombiesjpg-950x451.jpg</image:loc>
      <image:title>Wav.Max - Now, More Than Ever EP - Flatbush Zombies - Weaknesses:</image:title>
      <image:caption>I honestly don’t really have any big negative takeaways from this one. I will say that some songs have deliveries that can be too strange for me at times, which has been true for me throughout all of their projects. On this one the prime example is Meechy at the very end of Quicksand with its very exaggerated outro vocals. On the contrary though, Eric’s voice/flow, at times, sounds like Joey Bada$$’s to me. It’s not too bad but it does distract me occasionally.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/lil-boat-3-lil-yachty</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1591117393285-JSPWRQ3P6UJGAJG03FB8/LilBoat3LilYachtyReview.jpg</image:loc>
      <image:title>Wav.Max - Lil Boat 3 - Lil Yachty</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1591277918303-XEDHZQA65B021UQDJK05/82910902_510800792909023_5406320642040848896_n-e1583864222383-534x462.jpg</image:loc>
      <image:title>Wav.Max - Lil Boat 3 - Lil Yachty - Strengths:</image:title>
      <image:caption>Anyone looking for Yachty to lean more into his older sound, the production is somewhat the closest to it. Mainly due to most of these trap beats having really fun &amp; bright melodies, along with sounding high budget. “Till The Morning” is a standout in the tracklist as the beat carries a tropical vibe with a very punch kick &amp; bouncy drum pattern (no heavy 808 bass). Yachty himself goes back to being more melodic with his delivery. This leads to come catchy moments like the 2 lead singles (I really enjoyed both). His unique vocal inflection adds to this &amp; he sounds a lot more boastful and confident on this album than usual (to me at least). The features do an incredible job here. Tierra Wack, Tyler &amp; Rocky all SNAP on the posse cut “TD” which samples the Tokyo Drift melody. I also really enjoyed Lil Keed &amp; Future’s appearances on both of their tracks.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1591282936840-9SBQL9X7H9CZ4JDGWC85/https___hypebeast.com_image_2019_05_bape-a-bathing-ape-lil-yachty-ss19-collection-lookbook-3.jpg</image:loc>
      <image:title>Wav.Max - Lil Boat 3 - Lil Yachty - Weaknesses:</image:title>
      <image:caption>I feel like Yachty sounded like WAY too many other rappers on this album. Examples: His flow and delivery sound exactly like Playboi Carti’s on the first two songs. Some others are on “Demon Time” (reminds me of Uzi’s flow) &amp; “Lemon Head” (similar to Chief Keef’s). His voice does add uniqueness to this critique, but it was still very distracting for me. The production on the album is pretty good for the most part, but there are still some samey/generic ones present. I mean, the song “From Down Bad” sounds EXACTLY like “Oprah’s Bank Account”. Additionally, a lot of the melodies on here reminded me of Pierre Bourne’s despite him only producing one song. Last, this album is unnecessarily long. A lot of filler songs could’ve been taken out because after Track 10/11, the album really starts to drag on. The lack of unique topics and subpar lyrics really make this issue so much worse. I find that the first half had a lot better songs than the last half. There is variation from having features &amp; some of the beats, but ultimately the album gets extremely repetitive in a lot of areas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1591280620696-CARW69ZBNKGSQ7QQBZD4/https___hypebeast.com_image_2020_03_lil-yachty-oprahs-bank-account-video-v60-thinq-dual-screen-5.jpg</image:loc>
      <image:title>Wav.Max - Lil Boat 3 - Lil Yachty - Other Thoughts:</image:title>
      <image:caption>I can tell that he really tried to recapture some of the magic that blew him up. It’s not his fault, but I think too many have ran with his style &amp; done a lot more with it. His demeanor is also very different &amp; more mature. I do find it really weird and hard to take serious whenever he raps about street stuff though. I also think the features, singles &amp; cover art made me set my expectations way too high, to be fair.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/analyzing-mick-jenkins-vibe</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1591111404378-F3Y1107PZWK9411EBBF0/TheWatersMickJenkins.jpg</image:loc>
      <image:title>Wav.Max - Analyzing: Mick Jenkins - Vibe</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1591103827802-08ALPUYTQZHFZEXPRQY5/Mick-Jenkins1.jpg</image:loc>
      <image:title>Wav.Max - Analyzing: Mick Jenkins - Vibe - Main Interpretation:</image:title>
      <image:caption>The overarching idea of the song is it being very “woke” while disguised as a love song. It immediately starts with him inviting the woman of his interest to a smoke session. The opening lines are: “Just vibe with a n****, one time hit this joint Get high with a n**** one time, I won't have you on yo' ass We can talk about some real shit, tell me how you feel” At the end, he mentions talking about some “real shit” which implies that they won’t just be goofing around. He’d much rather have deep conversations of substance ranging from topics like: the world, corrupt system, different perspectives, etc. Since being inviting and non-condescending, this approach of exploring each others minds (instead of boring small talk) may in fact be his way of attracting this woman through mental stimulation. The production on this track perfectly matches its theme and aesthetic. The sample is from The Sweetest Pain by Dexter Wansel and brings a magical, chill and romantic vibe which is perfect for this type of “smoke session”. The drums are groovy &amp; feel very authentic; almost like a Tribe Called Quest song.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1591105514148-UHEZPQ1AXL6D20WWBB2E/Screen%2BShot%2B2018-11-18%2Bat%2B7.30.38%2BPM.png</image:loc>
      <image:title>Wav.Max - Analyzing: Mick Jenkins - Vibe - Alt. Interpretation:</image:title>
      <image:caption>An underlying theme that I thought of is the woman representing new fans/listeners. He’s inviting this new audience to “get high” with him sonically through making great songs that are “vibes” (like this one lol). There are many great lyricists with great messages, but can’t put together songs that are enjoyable to listen to. I could see many loving this song just off the vibe without paying attention to his verses. However, when you do pay attention it’s filled with all the themes, messages &amp; knowledge found on the rest of the mixtape. This songs has also aged extremely well because this style of song making has stayed one of his main appeals to his music (in my opinion).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/wunna-gunna</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1590669436474-5CMMMH1BJ1YYW7MOJR0Z/WunnaGunnaReview.jpg</image:loc>
      <image:title>Wav.Max - Wunna - Gunna</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/dmv-in-the-building-bridge-iceberg</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1590583862004-EU0SM7D5N42LG8ADHPSS/DMVBridgeIcebergReview.jpg</image:loc>
      <image:title>Wav.Max - DMV In The Building - Bridge Iceberg</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/5-reasons-why-you-should-checkout-michael-christmas</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1590506612349-7BOFKZS1L1M0NU3XFCBH/5ReasonsToListenToMichaelChristmas.jpg</image:loc>
      <image:title>Wav.Max - 5 Reasons Why You Should Checkout Michael Christmas</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1590507413071-UXGI78F9VODZBQEPLK7J/main-972x597.jpg</image:loc>
      <image:title>Wav.Max - 5 Reasons Why You Should Checkout Michael Christmas - 1. Dude is a comedian</image:title>
      <image:caption>One thing I really appreciate about his music is how comical he is. While still having many serious songs, Michael really injects his style of humor into his music pretty well. Ultimately, how funny it is really depends on the individual person. Lines like “Sleigh bells ringing, naw that's my nuts tho/ Wake up like dead Mike, word to MC Gusto” may not appeal to your sense of humor in writing, but Michael’s delivery is what truly injects more humor into these type of jokes.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1590509059711-YB2NY5X3XD7M035PONT9/BaggyEyesEP.jpg</image:loc>
      <image:title>Wav.Max - 5 Reasons Why You Should Checkout Michael Christmas - 2. Has tons of projects</image:title>
      <image:caption>Don’t you hate when you discover a new artist you love, but they only have one or two projects at most? Or when you discover something new, but the rest of their older music is trash. The difference with Michael Christmas is that he’s been putting out high quality projects since 2014. Since then, he’s released 5 solo projects on all platforms; totaling to over 64 songs and doesn’t include collab projects or features. And I will personally say that he’s been one of the most consistent rappers I listen to.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1590512194374-MU0AW58CFCS2PG5IE0K3/avatars-md0o7527cvEEThzU-wIdReA-t500x500.jpg</image:loc>
      <image:title>Wav.Max - 5 Reasons Why You Should Checkout Michael Christmas - 3. Very versatile style</image:title>
      <image:caption>While still making hip-hop music at the end of the day, Michael Christmas has already proved that you can’t really box him in sonically. Over the years, he’s rapped over many different types of instrumentals. Whether it be more chill traditional rap (Ex. Where You Been), feel-good trap beats (Ex. These Days), or even groovy slow jams (Ex. Are You Around). There’s definitely a consistent style he presents as a rapper, but the sonic versatility always keeps his music fresh and more enjoyable. Who wants to listen to a bunch of songs that sound the same?</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1590513168660-3ZR3QNCRW51J3N58JSMP/michael-christmas-2019-rappers-still-having-fun.jpg</image:loc>
      <image:title>Wav.Max - 5 Reasons Why You Should Checkout Michael Christmas - 4. Loves to use pop culture references</image:title>
      <image:caption>I think it’s safe to say that Michael is truly “nerdy at heart”. For someone like me who also is, I love when he makes references to anime and videogames. Even outside of that though, you’ll find many different references to things like movies, tv shows, sports, locations, etc. He’s very open about his love of his interests, despite what anyone else thinks. For example, on the song Get Up he raps, “Adventure Time was never G enough. And they was lookin' at me like a bitch” on a song that proudly shares the message of being yourself despite what others say.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1590514536491-L9WCAM38UBBIE8BAGKQT/michael-christmas-2015-sk.jpg</image:loc>
      <image:title>Wav.Max - 5 Reasons Why You Should Checkout Michael Christmas - 5. Very relatable</image:title>
      <image:caption>This to me is one of the main and most important elements of his music. A large reason why I’ve gravitated to his lyrics were because he isn’t trying to be something he’s not, put others down or say he’s better than anybody. So it might not be a direct relation to his personality, but everyone can relate to being human. I think things mentioned above like the humor and references make him relatable to some, but his way of talking about normal everyday life experiences in an honest way is something you don’t get from many artists. His biggest song to date, Not The Only One, is a song where he acknowledges that he isn’t perfect and messes up in life. BUT, spreads the message that everyone is going through the same things in their own unique way. So there’s no reason to beat yourself up about human experiences.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/everything-kota-the-friend</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1590413797855-T7REIKKBDTQUV69E2ERB/EverythingKotaTheFriendReview.jpg</image:loc>
      <image:title>Wav.Max - Everything - Kota the Friend</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/the-goat-polo-g-at5f4</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1590073111064-LZYALXD6QPMPIK8V1VNR/TheGoatPoloGReview.jpg</image:loc>
      <image:title>Wav.Max - The GOAT - Polo G</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/pop-shit-reason-schoolboy-q</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1589980588651-UVDDVUS7QJHRZ2EHF3WP/PopShitReasonSchoolboyQReview.jpg</image:loc>
      <image:title>Wav.Max - Pop Shit - Reason &amp;amp; Schoolboy Q</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/top-10-jid-features</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1589892865577-TOSUIHSXRX1GCV1GSYFA/Top10JIDFeatures.jpg</image:loc>
      <image:title>Wav.Max - Top 10 JID Features (+Playlist)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1589893848046-JT28Z7XLDQ09GWR7BU1V/917HTxLq%2BaL._SL1500_.jpg</image:loc>
      <image:title>Wav.Max - Top 10 JID Features (+Playlist) - 10. Soho - Boogie</image:title>
      <image:caption>Starting off with his feature on Boogie’s last album, this verse is definitely one of the shorter ones on this list. The song itself is pretty short though and JID crams a lot of words into it. He easily transitions from harmonizing at the start of his verse to complete speed rapping. I’d argue he’s one of the best with speed control as you can make out every word he’s saying &amp; it all makes sense. Plus, his flow is very calculated over this amazing beat.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1589895162350-I2OFUF20LUH35IEUK5QE/3281cd6998592c91893a08d97bd4c836.500x500x1.jpg</image:loc>
      <image:title>Wav.Max - Top 10 JID Features (+Playlist) - 9. Sunday - Earthgang</image:title>
      <image:caption>This is the oldest feature I have listed on here (and not the only Earthgang collaboration). A lot of his old features are actually pretty good, but this time was my favorite. It’s not his craziest verse ever but I really enjoy how smooth his delivery is over this really chill beat. His faster/more aggressive delivery wouldn’t work on a beat this laidback. Essentially, I have this at #9 because I think he compliments everything else about the track very well</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1589895630818-YUMAIEF4MO9HSHSKSP5Q/b77211ed800701c5cc8dc9a5a6ec95fa.1000x1000x1.jpg</image:loc>
      <image:title>Wav.Max - Top 10 JID Features (+Playlist) - 8. Porno - IDK</image:title>
      <image:caption>Another very short verse and I could see how this placement could be controversial. In total, it runs exactly 28 seconds long. It also is at the very end of the song. BUT regardless of those reason, I think JID still gives a great performance with the small amount of time given to him. The “cock pit” line is questionable, but the overall content of his verse matches both IDK’s &amp; Pusha’s.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1589896249979-XW4DVBAJ1AG8EXCX3M4W/71Y1yPQTYAL._SL1200_.jpg</image:loc>
      <image:title>Wav.Max - Top 10 JID Features (+Playlist) - 7. Broke - Ari Lennox</image:title>
      <image:caption>Now let me say, the song is already amazing off the strength of Ari, the production, etc. JID then comes in and puts the icing on the cake. Really showcases how JID can be very versatile. He switches flows effortlessly as he’s speaking to an unknown woman. Similar to my #9 pick, he really compliments everything about the song; while still giving an incredible verse.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1589897917568-67ZGKD969Q26BR30LYFQ/6eaa00964dba96a66b1118d8bd4359ac.640x645x1.jpg</image:loc>
      <image:title>Wav.Max - Top 10 JID Features (+Playlist) - 6. Momma Told Me - Earthgang</image:title>
      <image:caption>Earthgang and JID teaming up on a track is a recipe for a great song. Momma Told Me is no different as all 3 rappers are getting grimy and aggressive on their verses. JID gives a lot of street imagery and insight to what it was like for him growing up in Atlanta. He turns the energy up as his verse goes on and matches the menacing aesthetic set by the instrumental.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1589898649924-3KOIY214I71FKNV1DYLI/qaxwqewtgd1yzewoouia.jpg</image:loc>
      <image:title>Wav.Max - Top 10 JID Features (+Playlist) - 5. Fried Rice - Bas</image:title>
      <image:caption>Both parts of this verse to me are great. I really enjoy Bas’ verse a lot though (which deserves more credit) but JID still steals the show for me. The instrumental is already pretty different and he still manages to find multiple pockets to flow along with. Another speed verse of his too where he’s not just saying a bunch of bulls*** like many that do this style. The “other part” is when the instrumental changes up and he starts singing. I’ve always said he has a nice voice and is capable of creating nice melodies.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1589899672780-GOLTP65I9F855IGZCV57/50507249babbca64d3eb2a6cb533205a.1000x1000x1.jpg</image:loc>
      <image:title>Wav.Max - Top 10 JID Features (+Playlist) - 4. Ego Check - Wynne</image:title>
      <image:caption>Both Wynne and JID come together for a banger. JID specifically sounds hungry and really went hard on his verse. His lyrics range from boasting about himself to street talk. There’s even a very controversial Tomi Lahren diss that escaped blogs and publications, “Tell me what the fuck you niggas talm'bout/ I'm tired, might put a Tommy gun in Tomi Lahren mouth.” For context, He does follow up the line by admitting how wild the lyric is. Overall, it’s exactly what you’d expect from a fire JID feature.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1589900803283-L894AGBBKC2J4T8B4IQY/83d21a9c8106d43fc6ce3d2ef877ceff.804x804x1.jpg</image:loc>
      <image:title>Wav.Max - Top 10 JID Features (+Playlist) - 3. SIRENS | Z1RENZ - Denzel Curry</image:title>
      <image:caption>This one would probably be many people’s #1 pick. And I definitely see why, both rappers give amazing performances. However I couldn’t put this JID feature any higher because of how quiet his mix is. He’s not inaudible, but at least when I use my earbuds, it’s noticeably quieter than Denzel’s. Regardless, his verse is filled with great rhyming and nice flows. I especially enjoy the end where he scales his voice up &amp; down in range, while simultaneously keeping up with his quick delivery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1589903816046-BAQUFR57MUSI6SDNYADN/fa36598a3d2d0e8de83e637dab4d4323.1000x1000x1.jpg</image:loc>
      <image:title>Wav.Max - Top 10 JID Features (+Playlist) - 2. Redblue - Rapsody</image:title>
      <image:caption>I love the clever way JID is incorporating the colors of red and blue into his verse. Rapsody even does the same with her verse incorporating both colors. Both describing gang culture through storytelling, metaphors, etc. JID is also flowing like crazy over this beautiful brass sample provided by 9th Wonder. I put this over a lot of the other features too because of how focused he was on the topic and the execution of it.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1589905758079-XTL3TT6EA9UO35JK1ODM/f60b583ef621069185c235eb2ec1210c.1000x1000x1.jpg</image:loc>
      <image:title>Wav.Max - Top 10 JID Features (+Playlist) - 1. Meditate - Earthgang</image:title>
      <image:caption>It’s only right that the last spot would be an Earthgang collab. I said Sirens would be a lot of people’s #1 choice, and this one is probably everyone else’s. He’s not speaking on anything I haven’t covered in other verses (gun talk, bragging, etc.). What standouts out here is his delivery, specifically how he starts the record. Rapid fire flows right from the beginning, with lyrics that are basically asking people to be real with themselves and others. It’s another moment where JID and even Earthgang are finding great pockets over a fire beat.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/over-it-summer-walker</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1589458105493-BAWFPHS2P2PG2KK37VG8/OverItSummerWalkerReview.jpg</image:loc>
      <image:title>Wav.Max - Over It - Summer Walker</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/toygattidaydreamz</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1589375190279-U2POTLSJJHXICIQZ03CA/TommyDelBarioReview.jpg</image:loc>
      <image:title>Wav.Max - toygattiDAYDREAMZ - Tommy Del Barrio</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thewavmax.com/blog/tyler-album-ranked</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1589292486603-32TZ1T4YK87OZLTXA2TT/Tyler%27sAlbumsRanked.jpg</image:loc>
      <image:title>Wav.Max - Tyler, The Creator: Albums Ranked (+Playlist)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1589294300530-TDV2JK9YQ4G4ZBV4PO67/8da4b1495e64b65559bf94bdad90a06f.jpg</image:loc>
      <image:title>Wav.Max - Tyler, The Creator: Albums Ranked (+Playlist) - 6. Goblin</image:title>
      <image:caption>Starting off with Goblin, this was actually my introduction to Tyler back in 2012. A very dark and controversial album that would give Tyler issues later on in his career. It’s at the bottom but this by no means is a bad album. Regardless of subject matter, Tyler’s rapping is so captivating and intense while still so early in his life. A lot of memories are tied to this one for me, as well as amazing songs (She, Yonkers, Golden, and more).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1589294973015-VGW6XDVBD0K5V3YCP8A3/CDAL10715_550_1.jpg</image:loc>
      <image:title>Wav.Max - Tyler, The Creator: Albums Ranked (+Playlist) - 5. Bastard</image:title>
      <image:caption>Now I know this one isn’t an album, but it’s significant enough to count towards this ranking. Despite being his first mixtape, Bastard still holds some of my favorite Tyler songs (Odd Toddlers, Pigs Fly, etc). This project is similar to Goblin in terms of subject matter, great rapping and personality. Bastard also started the short-term story that connected Tyler’s first 3 projects. It was pretty difficult for me to pick between Bastard and Goblin. Ultimately though, I think Bastard is a better overall album whereas Goblin has some better individual songs.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1589296729807-UF0CZBO0NGFSF1WLLDDR/91aVF4ZdMPL._AC_SL1500_.jpg</image:loc>
      <image:title>Wav.Max - Tyler, The Creator: Albums Ranked (+Playlist) - 4. Cherry Bomb</image:title>
      <image:caption>I’ve always thought this album got way too much undeserved hate. Not his best, but Cherry Bomb has some of Tyler’s best songs to date imo. How could you hate the Lil Wayne &amp; Kanye collab track “Smuckers” for example? The weak moments are weak, but I think the better songs make up for them. Overall, I think Cherry Bomb was an important step towards Tyler’s current music style. While not as polished, you can hear the evolution with chords here and overall production skills.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1589297316020-5RHAUUP36J46BAVWECSV/71be9YgdsEL._SL1200_.jpg</image:loc>
      <image:title>Wav.Max - Tyler, The Creator: Albums Ranked (+Playlist) - 3. Igor</image:title>
      <image:caption>Probably a controversial placement, but that’s why this is a personal ranking. To be quite honest though, I think this album is AMAZING. In addition to Tyler expressing and sharing his emotions very honestly, his ability to layer instruments and engineer these quality sounds is what makes Igor so special. Despite being number 3 here, it’s easily Tyler’s best album sonically so far. Truly representing his musical and character growth.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1589298023838-VUTACXQCECN1WELXTAHK/81W3TZBkF1L._SL1200_.jpg</image:loc>
      <image:title>Wav.Max - Tyler, The Creator: Albums Ranked (+Playlist) - 2. Flower Boy</image:title>
      <image:caption>This and Igor always switch positions for me. In general these last 3 spots are always tough for me to think of because I love each album so much. I have Flower Boy here at #2, but if I was being 100% objective, it probably is his best album. Everything from the rapping, production, and engineering is so high quality. This album marked the start of a much more mature Tyler. The humorous and wild personality found on his older work, had been traded for Tyler reflecting on his loneliness, sexuality (kind of) and so much more. It’ll always be a gem in his discography as the album that earned Tyler his much needed respect from the masses.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/1589299893607-10PWH7O7U5HSM00LF9OK/tyler-666.jpg</image:loc>
      <image:title>Wav.Max - Tyler, The Creator: Albums Ranked (+Playlist) - 1. Wolf</image:title>
      <image:caption>Wolf is my favorite Tyler, the Creator album and really is criminally underrated. I’m not sure why it doesn’t get the respect that his latest albums due, but this album to me was the seed that gave us the Tyler we have today. Many songs on here feature beautiful instrumentals with many layered chords, retro aesthetics, and other elements that Tyler has perfected on his newer albums. At the same time, the album still has an equal amount of dark elements; more reminiscent of Bastard and Goblin. This balance to me of beautiful and off kilter music is what always bring me back to this album. Lastly, I just truthfully have a long-personal attachment to the record as it was soundtrack to many of my life’s moments.</image:caption>
    </image:image>
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      <image:caption>The Tape That Started It All……. Stream on all platforms &amp; share with friends/family. While under the name Oreezy, this was the project that truly started my music career. After almost 3 years, I finally brought it back to streaming for the OG fans. Enjoy!</image:caption>
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      <image:caption>The Tape That Started It All……. Stream on all platforms &amp; share with friends/family. While under the name Oreezy, this was the project that truly started my music career. After almost 3 years, I finally brought it back to streaming for the OG fans. Enjoy!</image:caption>
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      <image:caption>Available Now On All Streamig Platforms “God Looked Away!” is a transformative audio story of a man who, driven by the pursuit of money, loses touch with their humanity…. Stream on all platforms below &amp; Share with your friends &amp; family!</image:caption>
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      <image:title>KSAV: SoundCloud's Underground Legend</image:title>
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      <image:title>KSAV: SoundCloud's Underground Legend - BESIDE ME - EP</image:title>
      <image:caption>KSAV Takes Risks &amp; Explores New Sounds With his new unexpected release, KSAV continues to push his own barriers &amp; expand the versatility of his sound. He manages to deliver both the authentic sound fans have grown to love &amp; combine new indie aesthetics for an ethereal experience. Stream now on Soundcloud!</image:caption>
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      <image:title>Wither EP Breakdown - Stream Our “Wither EP” Demo Below Now</image:title>
      <image:caption>Thank you to all the fans! More new music is on the way. Until then, enjoy our latest project. Share with all of your friends &amp; family. Lastly, wither so you can bloom.</image:caption>
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      <image:title>Ichigo Lyrics</image:title>
      <image:caption>I don’t pop percs, smoking earth Big blunt, pink runtz, go berserk *Exhale sound* Tree trunks, hanging with gorillas Innocent, but I fuck with killas Cap rap, I don’t fuck with niggas I don’t trust a soul, I’d never trust a hoe Feel like Ichigo, still hallow in the end Imma pull up to a sword fight, with a pen Oh yeah that’s my bestie, we better off as friends I can’t fall in love, still alone, in the end She like pretty niggas, so she asked me on a date Got my own place, living life on the edge  Shawty gimme head, gimme top, when I’m ready Shawty gimme neck, it’s her job, when she wetty SRT skrrrt, call me Uzi Vert *Aye* Big walk, big drip, go berserk Oxtail and some locs, I’m a dready Shawty gimme top, when I’m ready Just like it’s yo room, keep it messy You must be an opp, you is sketchy Paint it out like art, with a penny Leave it up to god or a semi *semi* Automatic car, I go steady Rock out like guitar, or a Regi I don’t drink no lean, I eat veggies Big walk, floating over any beat Hip-Hop, saved my life at every need If I fail at rap, then it’s R.I.P. The end of reez, I want you remember me For centuries, made a lot of memories Yo love is cheap, I switch hoes like every week Yo love is cheap, I switch hoes like every week ***skip bar*** I don’t pop percs, smoking earth Big blunt, pink runtz, go berserk Tree trunks, hanging with gorillas Innocent, but I fuck with killas Cap rap, I don’t fuck with niggas Cap rap, I don’t fuck with Cap rap, I don’t fuck with</image:caption>
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      <image:title>Ichigo Lyrics - Is THIS Manga Art?: By ORYAH</image:title>
      <image:caption>A pop culture muse inspired by a love for Japanese animation &amp; comparing aspects/traits from my own character with fictional ones.</image:caption>
    </image:image>
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    <loc>https://www.thewavmax.com/itma-full-lyrics</loc>
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      <image:title>ITMA Full Lyrics - Is THIS Manga Art?: By ORYAH</image:title>
      <image:caption>A pop culture muse inspired by a love for Japanese animation &amp; comparing aspects/traits from my own character with fictional ones.</image:caption>
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      <image:title>Shinigami Eyes Lyrics</image:title>
      <image:caption>I don’t pop percs, smoking earth Big blunt, pink runtz, go berserk *Exhale sound* Tree trunks, hanging with gorillas Innocent, but I fuck with killas Cap rap, I don’t fuck with niggas I don’t trust a soul, I’d never trust a hoe Feel like Ichigo, still hallow in the end Imma pull up to a sword fight, with a pen Oh yeah that’s my bestie, we better off as friends I can’t fall in love, still alone, in the end She like pretty niggas, so she asked me on a date Got my own place, living life on the edge  Shawty gimme head, gimme top, when I’m ready Shawty gimme neck, it’s her job, when she wetty SRT skrrrt, call me Uzi Vert *Aye* Big walk, big drip, go berserk Oxtail and some locs, I’m a dready Shawty gimme top, when I’m ready Just like it’s yo room, keep it messy You must be an opp, you is sketchy Paint it out like art, with a penny Leave it up to god or a semi *semi* Automatic car, I go steady Rock out like guitar, or a Regi I don’t drink no lean, I eat veggies Big walk, floating over any beat Hip-Hop, saved my life at every need If I fail at rap, then it’s R.I.P. The end of reez, I want you remember me For centuries, made a lot of memories Yo love is cheap, I switch hoes like every week Yo love is cheap, I switch hoes like every week ***skip bar*** I don’t pop percs, smoking earth Big blunt, pink runtz, go berserk Tree trunks, hanging with gorillas Innocent, but I fuck with killas Cap rap, I don’t fuck with niggas Cap rap, I don’t fuck with Cap rap, I don’t fuck with</image:caption>
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      <image:title>Shinigami Eyes Lyrics - Is THIS Manga Art?: By ORYAH</image:title>
      <image:caption>A pop culture muse inspired by a love for Japanese animation &amp; comparing aspects/traits from my own character with fictional ones.</image:caption>
    </image:image>
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    <loc>https://www.thewavmax.com/16-bars-lyrics</loc>
    <changefreq>daily</changefreq>
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    <lastmod>2021-04-05</lastmod>
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      <image:title>16 Bars Lyrics</image:title>
      <image:caption>I don’t pop percs, smoking earth Big blunt, pink runtz, go berserk *Exhale sound* Tree trunks, hanging with gorillas Innocent, but I fuck with killas Cap rap, I don’t fuck with niggas I don’t trust a soul, I’d never trust a hoe Feel like Ichigo, still hallow in the end Imma pull up to a sword fight, with a pen Oh yeah that’s my bestie, we better off as friends I can’t fall in love, still alone, in the end She like pretty niggas, so she asked me on a date Got my own place, living life on the edge  Shawty gimme head, gimme top, when I’m ready Shawty gimme neck, it’s her job, when she wetty SRT skrrrt, call me Uzi Vert *Aye* Big walk, big drip, go berserk Oxtail and some locs, I’m a dready Shawty gimme top, when I’m ready Just like it’s yo room, keep it messy You must be an opp, you is sketchy Paint it out like art, with a penny Leave it up to god or a semi *semi* Automatic car, I go steady Rock out like guitar, or a Regi I don’t drink no lean, I eat veggies Big walk, floating over any beat Hip-Hop, saved my life at every need If I fail at rap, then it’s R.I.P. The end of reez, I want you remember me For centuries, made a lot of memories Yo love is cheap, I switch hoes like every week Yo love is cheap, I switch hoes like every week ***skip bar*** I don’t pop percs, smoking earth Big blunt, pink runtz, go berserk Tree trunks, hanging with gorillas Innocent, but I fuck with killas Cap rap, I don’t fuck with niggas Cap rap, I don’t fuck with Cap rap, I don’t fuck with</image:caption>
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      <image:title>16 Bars Lyrics - Is THIS Manga Art?: By ORYAH</image:title>
      <image:caption>A pop culture muse inspired by a love for Japanese animation &amp; comparing aspects/traits from my own character with fictional ones.</image:caption>
    </image:image>
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    <loc>https://www.thewavmax.com/hopes-peak-academy-lyrics</loc>
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      <image:title>Hope's Peak Academy Lyrics</image:title>
      <image:caption>I don’t pop percs, smoking earth Big blunt, pink runtz, go berserk *Exhale sound* Tree trunks, hanging with gorillas Innocent, but I fuck with killas Cap rap, I don’t fuck with niggas I don’t trust a soul, I’d never trust a hoe Feel like Ichigo, still hallow in the end Imma pull up to a sword fight, with a pen Oh yeah that’s my bestie, we better off as friends I can’t fall in love, still alone, in the end She like pretty niggas, so she asked me on a date Got my own place, living life on the edge  Shawty gimme head, gimme top, when I’m ready Shawty gimme neck, it’s her job, when she wetty SRT skrrrt, call me Uzi Vert *Aye* Big walk, big drip, go berserk Oxtail and some locs, I’m a dready Shawty gimme top, when I’m ready Just like it’s yo room, keep it messy You must be an opp, you is sketchy Paint it out like art, with a penny Leave it up to god or a semi *semi* Automatic car, I go steady Rock out like guitar, or a Regi I don’t drink no lean, I eat veggies Big walk, floating over any beat Hip-Hop, saved my life at every need If I fail at rap, then it’s R.I.P. The end of reez, I want you remember me For centuries, made a lot of memories Yo love is cheap, I switch hoes like every week Yo love is cheap, I switch hoes like every week ***skip bar*** I don’t pop percs, smoking earth Big blunt, pink runtz, go berserk Tree trunks, hanging with gorillas Innocent, but I fuck with killas Cap rap, I don’t fuck with niggas Cap rap, I don’t fuck with Cap rap, I don’t fuck with</image:caption>
    </image:image>
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      <image:title>Hope's Peak Academy Lyrics - Is THIS Manga Art?: By ORYAH</image:title>
      <image:caption>A pop culture muse inspired by a love for Japanese animation &amp; comparing aspects/traits from my own character with fictional ones.</image:caption>
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      <image:title>Fullmetal Alchemist Lyrics</image:title>
      <image:caption>I don’t pop percs, smoking earth Big blunt, pink runtz, go berserk *Exhale sound* Tree trunks, hanging with gorillas Innocent, but I fuck with killas Cap rap, I don’t fuck with niggas I don’t trust a soul, I’d never trust a hoe Feel like Ichigo, still hallow in the end Imma pull up to a sword fight, with a pen Oh yeah that’s my bestie, we better off as friends I can’t fall in love, still alone, in the end She like pretty niggas, so she asked me on a date Got my own place, living life on the edge  Shawty gimme head, gimme top, when I’m ready Shawty gimme neck, it’s her job, when she wetty SRT skrrrt, call me Uzi Vert *Aye* Big walk, big drip, go berserk Oxtail and some locs, I’m a dready Shawty gimme top, when I’m ready Just like it’s yo room, keep it messy You must be an opp, you is sketchy Paint it out like art, with a penny Leave it up to god or a semi *semi* Automatic car, I go steady Rock out like guitar, or a Regi I don’t drink no lean, I eat veggies Big walk, floating over any beat Hip-Hop, saved my life at every need If I fail at rap, then it’s R.I.P. The end of reez, I want you remember me For centuries, made a lot of memories Yo love is cheap, I switch hoes like every week Yo love is cheap, I switch hoes like every week ***skip bar*** I don’t pop percs, smoking earth Big blunt, pink runtz, go berserk Tree trunks, hanging with gorillas Innocent, but I fuck with killas Cap rap, I don’t fuck with niggas Cap rap, I don’t fuck with Cap rap, I don’t fuck with</image:caption>
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      <image:title>Fullmetal Alchemist Lyrics - Is THIS Manga Art?: By ORYAH</image:title>
      <image:caption>A pop culture muse inspired by a love for Japanese animation &amp; comparing aspects/traits from my own character with fictional ones.</image:caption>
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      <image:title>KSAV: SoundCloud's Underground Legend (Copy)</image:title>
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      <image:title>KSAV: SoundCloud's Underground Legend (Copy) - Never Ever - EP</image:title>
      <image:caption>KSAV Emerges From The Shadows His keeps us updated with his intense storyline on this new release. The short EP features 1 new track &amp; a brief freestyle. Never Ever serves as an appetizer, as his next tape is still on the way. Stream now on Soundcloud!</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>God Looked Away: Full Story - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/f49f7b5f-e1f2-4cdf-8bad-99923b505380/IMG-9667.jpg</image:loc>
      <image:title>God Looked Away: Full Story - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/0a5db358-62f3-4ee9-a631-1ccfb0f339ab/IMG-9665.jpg</image:loc>
      <image:title>God Looked Away: Full Story - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5eb34cad2dea9a63a105d5b5/c88daed4-2ebe-4086-9c90-65beabd2d115/IMG-9670.jpg</image:loc>
      <image:title>God Looked Away: Full Story - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>God Looked Away: Full Story - Stream The New Mixtape On All Platforms</image:title>
      <image:caption>Thank you to all the fans! More new music is on the way. Until then, enjoy the latest project. Share with all of your friends &amp; family.</image:caption>
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